Kevin Abosch

Paris Photo | Digital Sector Installation view Booth Galerie Nagel Draxler Photo: Maja Funke

Kevin Abosch „Somewhere in Los Angeles: Billboard“, 2023 Print on aluminium behind acrylic glas 187.5 x 150 cm Edition 3 + 1 AP

Kevin Abosch „Somewhere in Los Angeles: Basket“, 2023 Fien Art Print mounted on aluminium, behind acrylic glas 150 x 225 cm Edition 3 + 1 AP

Kevin Abosch „Sky Patrol over Los Angeles“, 2023 Print on aluminium behind acrylic glas 187.5 x 150 cm Edition 3 + 1 AP

Kevin Abosch „Somewhere in Paris“, 2023 Print on aluminium behind acrylic glas 150 x 150 cm Edition 3 + 1 AP

Kevin Abosch „Critical Assembly“ from the series „Still Life“, 2023 Critical Assembly from the series Still Life, 2023 Print on aluminium behind acrylic glas 150 x 150 cm Edition 3 + 1 AP

Kevin Abosch „IAMACOIN“, 2018 Exhibition view „DYOR“, Kunsthalle Zürich, 2022 Photo: Julien Gremaud

Kevin Abosch „Crypto is a Scam“, 2022 Exhibition view „DYOR“, Kunsthalle Zürich, 2022 Photo: Julien Gremaud

Kevin Abosch „CONTROL“, 2022 Digital C-print mounted to aluminum and plexiglass 139,7 x 203,2 cm

Exhibition view The Armory Show Booth Galerie Nagel Draxler, New York 2022 Photo: Dawn Blackman

Kevin Abosch „SURVIVAL #198“, 2022 Unique NFT, jpg

Kevin Abosch „SURVIVAL #20“, 2022 Unique NFT, jpg

Kevin Abosch „SURVIVAL #59“, 2022 Unique NFT, jpg

Kevin Abosch „SURVIVAL #190“, 2022 Unique NFT, jpg

Kevin Abosch „SURVIVAL #78“, 2022 Unique NFT, jpg

Kevin Abosch „Crypto is a Scam“, 2022 Acrylic on canvas 180 x 240 cm

Art Basel Installation view Booth Galerie Nagel Draxler Photo: Sascha Herrmann

Kevin Abosch Exhibition view „Synthetic Optimism“ Nagel Draxler Crypto Kiosk, Berlin 2022 Photo: Simon Vogel

Kevin Abosch „Universal Basic Income & The Price of Avocados“, 2022 Acrylic and graphite on canvas 100 x 80 cm Photo: Simon Vogel

Kevin Abosch „The Opportunity Cost of Mining Bitcoin Over Playing Poker Professionally“, 2021 Acrylic and graphite on canvas 90 x 90 cm Photo: Simon Vogel

Kevin Abosch „Novel Strategies To Protect Seed Phrases“, 2022 Acrylic and graphite on canvas 100 x 100 cm Photo: Simon Vogel

Kevin Abosch „Insurrection Semantics“, 2022 Acrylic and graphite on canvas 100 x 100 cm Photo: Simon Vogel

Kevin Abosch „Evidence Of Radicalised AI“, 2022 Acrylic and graphite on canvas 100 x 100 cm Photo: Simon Vogel

Kevin Abosch „Nothing Is Off The Long Table“, 2022 Acrylic and graphite on canvas 100 x 150 cm Photo: Simon Vogel

Kevin Abosch „Eight False Flags“, 2022 Acrylic and graphite on canvas 100 x 150 cm Photo: Simon Vogel

Kevin Abosch „Stay Cool Liquidity Fool“, 2022 Acrylic and graphite on canvas 120 x 100 cm Photo: Simon Vogel

Kevin Abosch „A Bitcoin Transaction, The Qatari F-35 Deal & The Donbas“, 2022 Acrylic and graphite on canvas 120 x 100 cm Photo: Simon Vogel

Kevin Abosch „Some Of Our Best Bubbles“, 2022 Acrylic and graphite on canvas 120 x 100 cm Photo: Simon Vogel

Kevin Abosch „The Gun-Printing Kids And Energy Drinks“, 2022 Acrylic and graphite on canvas 50 x 50 cm Photo: Simon Vogel

Kevin Abosch „Quarantine and Metaverse Etiquette“, 2022 Acrylic and graphite on canvas 120 x 100 cm Photo: Simon Vogel

Kevin Abosch „A Few Unreported Data Breaches of Massive Proportions“, 2021 Acrylic and graphite on canvas 80 x 100 cm Photo: Simon Vogel

Kevin Abosch „Risk Analysis of Deep-Faking Autocrats“, 2021 Acrylic and graphite on canvas 90 x 90 cm Photo: Simon Vogel

Kevin Abosch „Deprecation of Traditional Server Farms“, 2022 Acrylic and graphite on canvas 100 x 100 cm Photo: Simon Vogel

Kevin Abosch „Solar Concordance Red“ looping MP4 video (codec: H.264) OO:20 81MB, 2160×3840 pixels Exhibtion view „TIME in CRYPTO related ART and NFT“ Galerie Nagel Draxler @ Square, St. Gallen 2022 Photo: Julia Maja Funke

Kevin Abosch „Solar Concordance: Red“ looping MP4 video (codec: H.264) OO:20 81MB, 2160×3840 pixels

Kevin Abosch „Sun Signals #1003“ Unique NFT, jpg

Kevin Abosch Untitled from the „reliquiae series“, 2021 Canvas, paint, 1 NFT 72 x 43 x 21 cm

Kevin Abosch Unitled from the „reliquiæ series“, 2021 Canvas, paint, 1 NFT 87 x 30 x 13 cm

Kevin Abosch „Solar Concordance: Yellow“, 2021 looping MP4 video (codec: H.264) OO:20 95MB, 2160×3840 pixels

Kevin Abosch „Solar Concordance: White“, 2021 looping MP4 video (codec: H.264) OO:20 95MB, 2160×3840 pixels

Rhea Myers: „Pipe“, 2020 Kevin Abosch: „Conversations in Arlington Virginia that never happened“, 2021 & „Negotiating the sale of weapons and receiving discreet kickbacks in cryptocurrency“, 2021 Exhibition view „BREADCRUMBS: Art in the Age of NFTism” curated by Kenny Schachter Galerie Nagel Draxler, Cologne 2021 Photo: Simon Vogel

Eva Beresin: „Leave me alone“, 2021 Kevin Abosch: „Conversations in Arlington Virginia that never happened“, 2021 & „Negotiating the sale of weapons and receiving discreet kickbacks in cryptocurrency“, 2021 Exhibition view „BREADCRUMBS: Art in the age of NTFism“ Curated by Kenny Schachter Galerie Nagel Draxler, Cologne 2021 Photo: Simon Vogel

Rhea Myers: „Pipe“, 2021 Kevin Abosch „Conversations in Arlington Virginia that never happened“, 2021 Exhibition view „BREADCRUMBS: Art in the age of NTFism“ Curated by Kenny Schachter Galerie Nagel Draxler, Cologne 2021 Photo: Simon Vogel

Kevin Abosch „Conversations in Arlington, Virginia that never happened“, 2021 Fine Art Print on Alu-Dibond 150 × 150 cm Photo: Simon Vogel

Kevin Abosch „Negotiating the sale of weapons and receiving discreet kickbacks in cryptocurrency“, 2021 Fine Art Print on Alu-Dibond 150 × 150 cm Photo: Simon Vogel

Kevin Abosch „NOT OFFICIAL AUDIT Unique NFT, jpg

Kevin Abosch „1111 #1048“ Unique NFT, jpg

Kevin Abosch „1111 #0319“ Unique NFT, jpg

Kevin Abosch „1111 #1072“ Unique NFT, jpg

Biography

KEVIN ABOSCH

Irisch/ Irish, geboren / born 1969 in Los Angeles

kevinabosch.com

DOWNLOAD PDF

LEHRE & VORTRÄGE / TEACHING & LECTURES

2024
artistic seminar on AI Art at University of Applied Arts Vienna

EINZELAUSSTELLUNGEN / SOLO EXHIBITIONS

2023
"Synthetic Photography" – Paris Photo, Digital Sector, Booth Nagel Draxler, Paris, France
"1337, NFT Factoctory", Paris, France

2022
"Synthetic Optimism" - Galerie Nagel Draxler, Berlin, Germany

GRUPPENAUSSTELLUNGEN / GROUP EXHIBITIONS

2024
"Helsinki International Film Festival", Helsinki, Finnland
"Helsinki Festival 2024", Helsinki, Finnland

2023
"NGV Triennale", Melbourne, Australia
"Here", Verse, London, UK

2022
"DYOR (Do Your Own Research)" - Kunsthalle Zurich, Zurich, Switzerland

2021
"Proof of Art", Francisco Carolinum Museum, Linz, Austria "Persistence", Pippy Houldsworth Gallery (The Box), London, UK
"Breadcrumbs", Galerie Nagel Draxler, Cologne, Germany
"TIME in CRYPTO related ART and NFT", Square, St. Gallen, Switzerland
"Art Basel Miami Beach", Booth Nagel Draxler, Miami Beach, Florida, USA
"Art Basel", Booth Galerie Nagel Draxler, Basel, Switzerland.
"Le Supermarché Des Images", Red Brick museum, Beijing, China"Dear Block Chen", Solid Art, Taipei, Taiwan
"Ethereal Aether", State Hermitage Museum, St Petersburg, Russia
"DART", Museo Della Permanente, Milan, Italy

2020
"Le Supermarché Des Images", Jeu de Paume, Paris, France

2019
"TASIES 2019", National Museum of China, Beijing, China
"ART+TECH Summit", Christies NYC, New York City, USA
"Automat und Mensch", Kate Vass Gallery, Zurich, Switzerland
"Open Codes", ZKM, Karlsruhe, Germany "//classify.discriminate", CADAF, Miami, Florida, USA

2018
"Innovation As A Method", State Hermitage Museum, St Petersburg, Russia
"Perfect & Priceless", Kate Vass Galley, Zurich, Switzerland
"ART+TECH Summit", Christies, London, UK
"Ethereal Sumit", Knockdown Center, New York City

2016"Impossible Promises", Musem of Modern Art, Bogota, Colombia"Utopian Propagation", Marie de Paris, Paris, France

Bibliography

PUBLIKATIONEN & KATALOGE / BOOKS & CATALOGUES

2021
Proof of Art; OÖ Landes-Kultur GmbH DISTANZ Verlag GmbH, Berlin

2020
Le Supermarché Des Images; Jeu de Paume Éditions Gallimard, Paris

2018Innovation As A Method, State Hermitage Museum, St Petersburg, Russia