Galerie Nagel Draxler

Kader Attia

Biography

KADER ATTIA

geboren / born 1970 in Dugny (Seine Saint-Denis)
lebt und arbeitet / lives and works in Berlin and Algiers

www.kaderattia.de

AUSBILDUNG / STUDIES

1996-98 Ecole Nationale Supérieure des Arts Décoratifs, Paris / France
1993-94 Escola de Artes Applicades “La Massana”, Barcelona / Spain
1991-93 Ecole Supérieure des Arts Appliqués “Duperré”, Paris / France

EINZELAUSSTELLUNGEN / SOLO EXHIBITIONS

2017
Mary and Leigh Block Museum of Art, Northwestern University, Evanston / United States (upcoming)
Galleria Continua, San Gimignano (upcoming)
Lehmann Maupin (upcoming)

2016
“Prix Marcel Duchamp”, Centre Pompidou, Paris / France
Performance, Centre Pompidou, Paris / France (Oct 26, 2016)
“Kader Attia. Sacrifice and Harmony”, MMK – Museum für Moderne Kunst, Frankfurt a.M. / Germany

2015
“Reason’s Oxymorons”, Galerie Nagel Draxler, Berlin / Germany
“Les blessures sont là”, Musée Cantonal des Beaux Arts de Lausanne, Lausanne / Switzerland
“Scarification, Self Skin’s Architecture”, Galerie Nagel Draxler, Berlin / Germany
“Ghost”, Stiftelsen 3,14, Bergen/ Norway
“Complementary Conversations”, Galerie Krinzinger, Vienna / Austria

2014
“Continuum of the Repair: The Light of Jacob’s Ladder”, BOZAR Centre for Fine Arts, Brussels / Belgium
“Les Terrasses”, Public Commission, outdoor work, La Digue du Large, Marseille / France
“REPARATUR. 5 Akte”, KW Institute for Contemporary Art, Berlin / Germany
“Show your injuries”, Lehmann Maupin, New York / USA
“Nature, Another Culture Repaired” Middelheim Museum, Antwerp / Belgium
“Injury Continuum” Artpace, San Antonio / USA
“Contre Nature”, Beirut Art Center, Beirut / Lebanon
“Beginning of the World”, Galleria Continua, Beijing / China

2013
“Continuum of the Repair: The Light of Jacob’s Ladder”, Whitechapel Gallery, London / UK
“Les Terrasses”, Public commission, outdoor work, La Digue du Large, Marseille / France
“REPARATUR. 5 Akte”, KW Institute for Contemporary Art, Berlin / Germany

2012
“Construire, Déconstruire, Reconstruire: Le Corps Utopique”, Musée d’Art Moderne de la Ville de Paris, Paris / France
“Collages”, Galerie Christian Nagel, Berlin / Germany
“Essential”, Galleria Continua, San Gimignano / Italy

2011
“Ghost”, Galerie Christian Nagel, Antwerp / Belgium

2010
“Holy Land”, Galleria Continua, San Gimignano / Italy

2009
“Po(l)etical”, Galerie Krinzinger, Vienna / Austria
“As a fold, Horizon is not a space, Galerie Christian Nagel”, Berlin / Germany
“Kasbah”, Centre de Création Contemporaine de Tours, Tours / France
“Signs of Reappropriation”, SCAD, Savannah / USA

2008
“Signs of Reappropriation”, SCAD, Atlanta / USA
“Black & white : signs of times”, Centro de Arte Contemporaneo Huarte, Huarte / Spain
“Kader Attia – New Works”, Henry Art Gallery, Faye G. Allen Center for the Visual Arts, University of Washington, Seattle / USA

2007
“Momentum 9″, ICA, Boston / USA
“Square Dreams”, BALTIC Center for Contemporary Art, Newcastle / UK
“Do what you want but don’t tell anybody”, Galerie Christian Nagel, Berlin / Germany

2006
“Tsunami”, Magasin, CNAC, Grenoble / France
“Kader Attia”, Musée d’Art Contemporain de Lyon, Lyon / France
“Sweet sweat”, Andréhn-Schiptjenko gallery, Stockholm / Sweden

2004
“HALLAL”, Kamel Mennour gallery, Paris / France

2002
“Alter Ego”, Kamel Mennour gallery, Paris / France

2001
“Photostories”, Martine et Thibault de la Châtre, Paris / France

2000
“La Piste d’Atterrissage”, l’Atelier, Centre National de la Photographie, Paris / France

1997
“Instants Urbains”, Galerie L’œil du huit, Paris / France

1996
“Humanistes au Congo”, Centre culturel Français de Brazzaville, Brazzaville / Congo

GRUPPENAUSSTELLUNGEN / GROUP EXHIBITIONS

2017
Sharjah Biennial 13 (upcoming)

2016
Cuenca Biennial (upcoming)
“Fremde Götter. Faszination Afrika und Ozeanien”, Leopold Museum, Wien / Austria
“C as in Curry S as in Seen”, MarionDeCannière artspace, Antwerp / Belgium
Ireland’s Biennial
“But a Storm Is Blowing from Paradise: Contemporary Art of the Middle East and North Africa”, Solomon R. Guggenheim Museum, New York
“Finnish Landscape”, Contemporary Art at Seurasaari Open-Air Museum, Checkpoint Helsinki / Finland
“The City in the Blue Daylight”, Dak’Art 2016, The 12th Biennale of Contemporary African Art in Dakar, Musee de l’Ifan, Dakar / Senegal
“Lines of Flight”, the Miriam and Ira D. Wallach Art Gallery, Columbia University / United States
“Still (the) Barbarians”, EVA International – Ireland’s Biennial, Limerick City Gallery of Art, Limerick City / United Kingdom
“2016 : Not New Now”, Marrakech Biennale, Marrakesh / Morocco
“The Way Things go”, the 9.99 gallery, Guatemala / Guatemala
“Forum Expanded: Traversing the Phantasm”, 66th Berlinale – Berlin’s Film Festival, Akademie der Künste, Berlin / Germany

2015
“Boundary Objects”, CA2M, Madrid / Spain
“Boundary Objects”, Kunsthaus Dresden / Germany
“A fendre le coeur le plus dur”, Centre Photographique d’Ile-de-France, Paris / France
“Streamlines”, Deichtorhallen, Hamburg / Germany
“Nel Mezzo del Mezzo”, Museo Riso / Albergo di poveri, Palermo / Italy
“DEMONSTRATING MINDS”, Disagreements in Contemporary Art, Kiasma – Finnish National Gallery, Helsinki / Finland
“After Picasso: 80 Contemporary artists”, Wexner Center for the Arts, Columbus / USA
“A story within a story…”, Göteborg International Biennial for Contemporary Art, Göteborg / Sweden
“La vie moderne”, Biennale de Lyon, Lyon / France
“Künstliche Tatsachen / Boundary Objects”, Kunsthaus Dresden, Dresden / Germany
”Invisible Violence”, Salzburger Kunstverein, Salzburg / Austria
“Chercher le Garcon – Exposition collective d’artistes homes”, MAC/VAL, Vitry-sur-Seine / France
“Picasso in Contemporary Art”, Deichtorhallen, Hamburg / Germany
“Michel Leiris & Co: Picasso, Miró, Giacometti, Bacon…”, Centre Pompidou-Metz, Metz / France
“Catcontent”, Stadtpalais Stadt Erlangen, Erlangen / Germany
“Concrete”, Tophane-i Amire Culture and Arts Center, Mimar Sinan Güzel Sanatlar Üniversitesi, Istanbul / Turkey
Centre Pompidou de Malaga, Malaga / Spain
“Le Corbusier dans l’Art Contemporain”, Foundation Le Corbusier, Paris / France
“Europa. Die Zukunft der Geschichte”, Kunsthaus Zürich, Zurich / Switzerland

2014
Kochi-Muziris Biennale, Kochi / India
“Fragments of Empire”, Momentum, Berlin / Germany
“The Divine Comedy: Heaven, Purgatory, and Hell Revisited”, Savannah College of Art and Design, Savannah, GA
“On the beginning of the short 20th century, Recent European art on World War I”, Motorenhalle, Projektzentrum für zeitgenössische Kunst, Dresden / Germany
“The Reluctant Narrator: A survey of narrative practices across media”, Museu Coleção Berardo, Lisbon, Portugal
“Time Present- Contemporary Photography from the Deutsche Bank Collection”, Singapore Art Museum, Singapore
“The Theory of Colour”, Museo Universitario Arte Contemporáneo-UNAM, Mexico DF / Mexico
“La disparition des lucioles”, Collection Lambert, Prison Sainte-Anne, Avignon / France
“Il delitto quasi perfetto”, Pac, Milan / Italy
“Project Hlysnan: The Notion and Politics of Listening”, Casino Luxembourg – Forum d’Art Contemporain, Luxembourg / Luxembourg
“Art Histories”, MdM Salzburg, Salzburg / Austria
“Cut, Paste, Repair: A Hundred Years of Collage”, Sicardi Gallery, Houston, TX / US
“Concrete, MUMA, Monash University”, Melbourne / Australia
“Transfigurations, curatorial and artistic Research in an Age of Migrations”, MACBA, Barcelone / Spain
“Invisible Violence”, Artium, Basque Museum-Centre of Contemporary Art, Vitoria / Spain, and Museum of Contemporary Art, Belgrade / Serbia
“Double Jeu”, FRAC Centre – Orléans, Orléans / France
Dak’Art 2014, 11ème Biennale de l’Art Africain Contemporain, Dakar / Senegal
“Precarious Imaging”, Raw Material Company, Dakar / Senegal
“Hajj, le pèlerinage à La Mecque”, Institut du Monde Arabe, Paris / France
“Divine Comedy”, MMK Museum für Moderne Kunst, Frankfurt / Germany
“Where are we now?”, 5th Marrakech Biennial, Marrakech / Morocco
“Trankat Episode #1″, Sextant et plus, La Friche La Belle de Mai, Marseille / France
“When Nowhere becomes Here”, Poznan Biennale, Poznan / Poland
“The Crime was almost perfect”, Witte de With, Rotterdam / Nederlands

2013
“After Year Zero”, Haus der Kulturen der Welt, Berlin / Germany
“Salon der Angst”, Kunsthalle Wien, Vienna / Austria
“43 Salón (inter) Nacional de Artistas”, Medelin / Colombia
“Unstable Territory”, Centre for Contemporary Culture Strozzina, Palazzo Strozzi, Florence / Italy
“MUSEUM OFF MUSEUM. ERSTER TEIL”, Kunstverein Bielefeld, Bielefeld / Germany
“Altérité, Je est un Autre”, Espace Culturel Louis Vuitton, Paris / France
Art Unlimited, Art Basel 44, Basel / Switzerland
“Le Pont”, Musée d’Art Contemporain de Marseille, Marseille / France
“Relaunch”, KW Institute for Contemporary Art, Berlin / Germany
“Terms and Conditions”, the Singapore Art Museum, Singapore / China
“The Worls Turned Inside Out”, Witte de With, Rotterdam / The Netherlands
“Every day matters”, Farschou Foundation, Copenhagen / Denmark
“Le CAPC a 40 ans”, CAPC, Bordeaux / France
“MODERNITY? Perspectives from France and Turkey”, Istanbul Modern, Istanbul / Turkey
“Here, Elsewhere / Ici, ailleurs”, Marseille-Preovence 2013, Marseille / France

2012
dOCUMENTA (13), Kassel / Germany
“Performing Histories(1)”, MoMA, New York / USA
“10 ans du Projet pour l’Art Contemporain”, Centre Pompidou, Paris / France
“Mirages d’Orient, grenades et figues de barbarie”, Chassé-croisé en Méditerranée, Collection Lambert, Avignon / France
“The Far and the Near: St Ives and International Art”, Tate St Ives, St Ives / UK
“Die Stadt, die es nicht gibt”, Ludwig Forum für Internationale Kunst, Aachen / Germany
“Liverpool Biennial 2012″, Tate Liverpool Collection Exhibition : Tresholds, Liverpool / UK
“Cartographies of Hope: Change Narratives”, DOX – Centre for Contemporary Art, Prague / Czech Republic
“Newtopia: The State of Human Rights”, exhibition for the City of Mechelen, Mechelen / Belgium
“The Rituals of Chaos”,The Bronx Museum, New York / USA
“Glissement de terrain: impertience-Resistance-Survivance”, Lanchelevici Museum, La Louviére / Belgium
“Where is the time?”, Foundation Izolyatsia, Donetsk / Ukrain
“Räume der Erinnerung”, Kunsthalle Düsseldorf, Düsseldorf / Germany
“Skyscraper: Art and Architecture Against Gravity”, Museum of Contemporary Art Chicago, Chicago / USA
“The Best of Times, The Worst of Times”, 1st Kiev International Biennale of Contemporary Art, Kiev / Ukraine
“Chkoun Ahna”, National Museum of Carthage, Carthage / Tunisia
“In Other Words”, NGBK, Berlin / Germany
“Vivement demain”, Mac/Val, Vitry-sur-Seine / France
“Hajj, Journey to the heart of Islam”, the British Museum, London / UK
“Beijing Online Inlive – 10 Hands 100 Fingers”, Galleria Continua, Beijing / China

2011
“Collector”, Collection of the Fond National d’Art Contemporain, Le Tri Postal, Lille / France
“Drift – an exploration of urban and suburban landscapes”, Sharjah Art Foundation, Sharjah / UAE
“SPHERES 2011″, 7 énergies autour d’une nouvelle expérience d’exposition, Galleria Continua, Le Moulin / France
“4th Moscow Biennale”, Moscow / Russia
“Wunder. Kunst, Religion und Wissenschaft vom 4. Jahrhundert bis zur Gegenwart”, Deichtorhallen Hamnurg, Hamburg / Germany
“The Global Contemporary. Art World after 1989″, ZKM, Karlsruhe / Germany
“Dublin Contemporary”, Biennale of Dublin, Dublin / Ireland
“Contested Terrains”, Tate Modern, London / United Kingdom
“Evergreen”, Crédit Agricole de Montrouge, Montrouge / France
“Paris – Delhi – Bombay”, Centre Georges Pompidou, Paris / France
“Entre-Temps”, Minsheng Art Museum Shanghai, Shanghai / China
“PX”, Fondation Francès, Senlis / France
“French Window”, Mori Museum, Tokyo / Japan
“Strike Oppose”, Barjeel Art Foundation, Sharjah / UAE
“Living Room Exotica”, Kunsthaus Glarus, Glarus / Switzerland
“De leur Temps (3)”, FRAC d’Alsace – Sélestat, Grenoble / France
“PROJECT EUROPA: Imagining the (Im)possible”, The Miriam and Ira D. Wallach Art Gallery, Columbia University, New York / USA

2010
“Told/Untold/Retold”, Arab Museum of Modern Art, Doha / Qatar
“SUD2010″, Douala / Cameroon
“SPHERES 2010″, 7 énergies autour d’une nouvelle expérience d’exposition, Galleria Continua, Le Moulin / France
“La Route de la Soie”, Le Tri Postal, Lille / France
PICHA, the Image Encounters of Lubumbashi, Lubumbashi / DRC
“Utopia and Monument II. On Virtuosity and the Public Sphere”, Exhibition for the public space, Graz / Austria
“The Future of Tradition – The Tradition of Future”, Haus der Kunst, Munich / Germany
“Make Yourself at Home”, Kunsthal Charlottenborg, Charlottenborg / Denmark
“Living in Evolution”, Busan Biennale, Busan / Korea
Centenary of Museo Nacional de Bellas Artes, Santiago de Chile / Chile
“Steirischer Herbst 2010: Utopien und Monument II”, Steirischer Herbst, Graz / Austria
“Street and Studio. Von Basquiat bis Séripop”, Kunsthalle Wien, Vienna / Austria
“Dreamlands”, Centre Pompidou, Paris / France
“Unerwartet. Von der islamischen Kunst zur zeitgenössischen Kunst”, Kunstmuseum Bochum, Bochum / Germany
“The Beauty of Distance: Songs of Survival in a Precarious Age”, 17th Biennale of Sydney, Sydney / Australia.
“Project Europa: Imaging the (Im)Possible”, Samuel P. Harn Museum of Art, Gainsville / USA
“Make yourself at Home”, Kunsthal Charlottenborg, Charlottenborg / Denmark
Centenary of Museo Nacional de Bellas Artes, Santiago de Chile / Chile
Busan Biennale, Busan / Korea
“The Future of Tradition – The Tradition of Future”, Haus der Kunst, Munich / Germany
“PICHA, the Image Encounters of Lubumbashi”, Lubumbashi / DRC
“La Route de la Soie”, Tri Postal, Lille / France
“Told|Untold|Retold, Arab Museum of Modern Art”, Doha / Qatar

2009
“Disorientation II”, Abu Dhabi / UAE
“Los de arriba y los de abajo” Sala de Arte Público Siqueiros, Mexico DF / Mexico
FIAC, Musée national d´art moederne et contemporain, Algiers / Algeria
“Frontières”, 8th African Biennale of Photography, Bamako / Mali
“Spheres”, Le Moulin, Paris / France
“Dispositifs optiques”, Centro Anadaluz de Arte Contemporáneo, Seville / Spain
“Cargo”, Autocenter, Berlin / Germany
“Pulisoni Performative Nell´ Arte Contemporanea”, Torrione Passari, Molfetta / Italy
“Louis Vuitton: A Passion for Creation”, Hong Kong Museum of Art, Hong Kong / SAR
“Time out of Joint – Recall and Evocation in Recent Art”, The Kitchen, New York / USA
“Mehr als ein T-Shirt”, Kunstverein Bielefeld, Bielefeld / Germany
“Collection 10″, IAC – Institut d´art contemporain – Frac Rhône-Alpes, Villeurbanne / France
“Art Tel Aviv”, Tel Aviv Biennale, Tel Aviv / Israel
“La Force de L’Art”, Paris Triennale, Grand Palais, Paris / France
Tuileries Gardens, FIAC 2009, Paris / France
“Calling Forth”, The Kitchen, New York / USA
10. Havanna Biennale, Kuba
“2. Thessaloniki Biennále”, Thessaloniki / Greece
“Gargarin the Artists in their Own Words – The first Decade”, SMAK, Gent / Belgium
“Abu Dhabi Art 2009″, Abu Dhabi / UAE
“Nation State”, Goddman Gallery Cape, Cape Town / South Africa
“Looking Inside-out”, Kunstnernes, Oslo / Norway
“Unveiled: New Art from the Middle East”, Saatchi Gallery, London / United Kingdom

2008
“Réflechir Le Monde”, European Centre for Contemporary Art, Brüssel / Belgium
“The Other”, 10th International Cairo Biennale, Cairo / Egypt
“Crossings Traversees”, Darb 1718 Contemporary Art and Culture Centre, Cairo / Egypt
“Travesía”, Centro Atlántico de Arte Moderno, Las Palmas de Gran Canaria, Canary Islands / Spain
“Iaspis Open House, autumn 2008″, International Artist Studio Programme Sweden, Stockholm / Sweden
“In der Wüste der Moderne”, Haus der Kulturen, Berlin / Germany
“Next Yesterday – Today – Tomorrow”, Galerie Hans Mayer, Düsseldorf / Germany
Art Dubai 2008, Madinat Arena, Dubai / UAE
“Defence”, Skeppsholmen/Kastellholmen, Stockholm / Sweden
“Pontevedra Biennale”, Pontevedra / Spain
“Representations of the artist as an intellectual”, D21 Kunstraum, Leipzig / Germany
“Traversée”, Art Paris, Paris / France
“Open Space/Art Cologne, Cologne / Germany
“Elefante Negro”, Diego Rivera Museum, Mexico DF / Mexico

2007
“Suite Francaise”, Krinzinger Projekte, Vienna / Austria
“The Big Easy, ACC Galerie, Weimar / Germany
“Equatorial Rhythms”, Stenersen Museum, Oslo / Norway
“Alles klar? Zeitgenössische Kunst aus Ägypten”, Kunstverein Salzburg, Salzburg / Austria
“The Politics of Fear”, Albion Gallery, London / United Kingdom
“Acceleration”, Centre d’Art, Neuchâtel / Switzerland
“New Economy”, Artists Space, New York / USA
“De leur temps (2)”, Musée de Grenoble, Grenoble / France
“Theater of Cruelty”, White Box, New York / USA

2006
“Regards des photographes arabes”, Institut du Monde Arabe, Paris / France
1st Art, Landscape & Architecture Biennial, Canary Islands / Spain
“Nuit Blanche”, Paris / France
“Infinities”, Art Unlimited, Art Basel 37, Basel / Switzerland
“Take a walk on the wild side”, de Pury & Luxembourg gallery, Zürich / Switzerland
Armory Show, Andréhn-Schiptjenko gallery, New York / USA
“Notre Histoire”, Palais de Tokyo, Paris / France

2005
“Meeting Point”, Sternersen Museum, Oslo / Norway
“In between times”, Tramway, Glasgow / United Kingdom
“Regards des photographes arabes contemporains”, Institute of the Arab World, Paris / France
“Big Bang”, Jewish Art and History Museum, Paris / France
Nominated for the Marcel Duchamp Prize, FIAC, Paris / France
“Expérience de la durée”, 8th Lyon Biennale, Lyon / France
“Living for the City”, J. Shainman gallery, New York / USA
“The Loop”, Art Unlimited, Art Basel 36, Basel / Switzerland
“SingulierS”, Guangdong Museum of Art, Canton / China

2004
“The Sweatshop”, Art Position, Art Basel Miami, Miami / USA
“Videozone”, Video Art Biennale, Herzliya Museum, Tel Aviv / Israel
“Near East Project”, Schirn Kunsthalle, Frankfurt / Germany
Kamel Mennour gallery, Artissima, Turin / Italy
Kamel Mennour gallery, FIAC, Paris / France
“Continental Breakfast”, Belgrade / Czech Republic
“Shake”, OK Centrum für Gegenwartskunst, Linz / Austria
Shake, Villa Arson, Nice / France
Kamel Mennour gallery, Arts Brussels, Brussels / Belgium

2003
Kamel Mennour gallery, Artissima, Turin / Italy
Kamel Mennour gallery, FIAC, Paris / France
“Correspondance”, Statement Area, Art Basel 34, Basel / Switzerland
“Fault Lines”, 50th Venice Biennale, Venice / Italy
“Voyages d’Artistes”, Foundation Electra, Paris / France
“Ouvertures Algériennes : créations vivantes”, La Criée, Rennes / France

2002
“Les vertus sont des titres, les souffrances sont des droits”, FRAC Poitou-Charentes, Angoulême / France
Kamel Mennour gallery, Paris-Photo, Paris / France

2001
“L’Alchimie de la rencontre”, FRAC Champagne-Ardenne, Reims / France
Galerie Kamel Mennour, FIAC, Paris / France
“L’état des choses part.1″, Kunst-werke, Institut d’Art Contemporain, Berlin / Germany

SYMPOSIUMS/LECTURES/OTHERS

2017
Sharjah symposium, Dakar / Senegal (upcoming)

2016
Kader Attia, Françoise Vergès u. a. – KÖRPER, Haus der Kulturen der Welt, Charité, Berlin / Germany

2013
Suspended Spaces – Discover, Uncover Modernism, Paris / France Whitechapel, London / UK
Document, fiction et droit, Wiels, Bruxelles / Belgium
After Year Zero, Haus der Kulturen der Welt, Berlin / Germany
Inventions et réinventions des arts primitifs, Musée du Quai Branly, Paris / France
The Culture of Fear : An Invention of Evil, Witte de With, Rotterdam / The Netherlands
HomeWorks, Ashkal Awan, Beirut / Lebanon
Curatorial/Knowledge seminar, Goldsmiths, London / UK

2012
Matters of Collaborations, Collaboratoire 3, Dakar / Senegal
Modern Monday, MoMA, New York / USA
Musée d’Art Moderne de la Ville de Paris, France

2011
Un Temps de l’Art, Université Rennes 2, Ecole supérieure européenne d’art de Bretagne,
Rennes / France
Festival de l’Histoire de l’Art, Fontainebleau / France
Kunst Afrikas , Freie Universität Berlin, Berlin / Germany
Suspended Spaces, Beirut Art Center, Beirut / Lebanon
Interface, Université La Sorbonne, Paris 1, France

2010
The Serpentine Map Marathon, Serpentine Gallery, London / UK
Warsaw Under Construction II, Muzeum Sztuki Nowoczesnej w Warszawie, Warsaw / Poland
The British Museum, in collaboration with the Tate : Kader Attia : Void’s Geometries, London / UK
The Falmouth Convention, University College Falmouth, Falmouth / UK
After Post-colonialism: Transnationalism or Essentialism?, panel discussion, Tate Modern, London / UK
SITAC VIII, International Symposium on Contemporary Art Theory, Mexico DF / Mexico
Clinicas symposium, Mexico DF / Mexico

2009
Eastwards = westwards, Jan van Eyck Academie, Maastricht / Netherlands
Artistic Design of the ballet « Comedy of Change » by Rambert Dance Company, UK

RESIDENCY PROGRAMS

2015
Northwestern University Kaplan Institute for the Humanities Artist in Residency Award / USA

2014
artpace, San Antonio / USA

2010
The Banff Centre, Banff / Canada

2008
IASPIS, Stockholm / Sweden

GRANTS / FELLOWSHIPS / PRIZES

2016
Pix Marcel Duchamp 2016, Paris / France

2015
Kunstpreis Ruth Baumgarte, Berlin / Germany

2014
Kunstpreis, Akademie der Künste, Berlin / Germany

2010
Paul D. Fleck Fellowship, Banff / Canada
Smithsonian Institution Artist Research Fellowship Program, Washington DC / USA
Abraaj Capital Prize, Dubai / UAE

2008
Cairo Biennale, Prize of the Biennale, Cairo / Egypt

2005
Nominee for the Marcel Duchamp Prize, Paris / France

1997
The Leica Special Prize / ” Une Algérie d ´Enfance”, Paris / France

PUBLIC COLLECTIONS

Tate Modern, UK
Boston ICA, USA
Musée d’Art Moderne de la Ville de Paris, France
Collection Centre Georges Pompidou, France
Fond National d’Art Contemporain, France
Fond Régional d’Art Contemporain Centre – Orléans, France
Fond Régional d’Art Contemporain Poitou-Charente, France
Fond Régional d’Art Contemporain des Pays de la Loire, France

Bibliography

2016
Kataloge / catalogues:
„Le Prix Marcel Duchamp 2016“, Centre Pompidou and ADIAF, Prais / France, 2016.
„Kader Attia: Reflecting Memory“, Galleria Continua, 2016.
„Fremde Götter. Faszination Afrika und Ozeanien“, Leopold Museum Wien / Vienna / Austria, 2016.
„Kader Attia. Sacrifice and Harmony“, MMK Frankfurt am Main / Germany, 2016.

Artikel / articles:
Hettie Judah: „The 50 Most Exciting Artists in Europe Right Now, Part I“, news.artnet.com, November 23, 2016.
Alex Greenberger: „KADER ATTIA WINS THE 2016 PRIX MARCEL DUCHAMP“, Art News, October 18, 2016.
„Artist Kader Attia Receives France’s Marcel Duchamp Prize“, Artforum, October 19, 2016.
Claudia Barbieri Childs: „Kader Attia wins France's prestigious Marcel Duchamp Prize“, The Art Newspaper, October 18, 2016.
Jacky Bornet: „Kader Attia, lauréat du Prix Marcel Duchamp 2016“, fanceinfo, October 18, 2016.
Taylor Dafoe: „Kader Attia Awarded 2016 Prix Marcel Duchamp, Mark Bradford Designs New ICA LA Logo, and More“, Boulinarfinfo, October 19, 2016.
Sabrina Silamo: „Kader Attia, un artiste rebouteux lauréat du prix Marcel Duchamp 2016“, Télérama, October 19, 2016.
Sigfried Forster: „Kader Attia, lauréat du prix Marcel Duchamp: «Le monde est fait de fantômes»“, Le Voix du Monde, October 18, 2016.
„Kader Attia, prix Marcel Duchamp 2016“, La Libre, October 19, 2016.
Emmanuelle Giuliani: „Kader Attia, lauréat du Prix Marcel-Duchamp 2016“, La Croix, October 19, 2016.
„Kader Attia lauréat du prix Marcel Duchamp“, Libération, October 18, 2016.
„Le prix Marcel Duchamp 2016, revient à l'artiste franco-algérien Kader Attia“, Al Huffington Post, October 19, 2016.
Kenza Filali: „L’obsession réparatrice de Kader Attia distinguée par le prix Marcel-Duchamp“, le Desk, October 18, 2016.
Judicaël Lavrador: „KADER ATTIA PREND SA REVANCHE SUR LE PRIX DUCHAMP“, Next Liberation, October 19, 2016.
„L'artiste franco-algérien Kader Attia lauréat du Prix Marcel Duchamp“, Algerie Press Service, October 19, 2016.
Emmanuelle Outtier: „L’AFRIQUE S’IMPOSE AU DUCHAMP“, dyptyk blog, October 18, 2016.
Camille Bardin: „LE PRIX MARCEL DUCHAMP POUR L’ART CONTEMPORAIN REMIS À KADER ATTIA“, Camille Bardin, October 18, 2016 and also in: Toute La Culture, October 18, 2016.
Par Roxana Azimi: „Le prix Duchamp pour Kader Attia“, Le Monde, October 18, 2016.
Alyssa Buffenstein: „Kader Attia Nabs Marcel Duchamp Prize“, artnet news, October 19, 2016.
„Prêmio Marcel Duchamp 2016 é atribuído a Kader Attia“, Estado Cultura, October 18, 2016.
„Sichere Kunst für unsichere Zeiten bei der Art Basel 2016“, June 17, 2016.
„Art Basel setzt in unsicheren Zeiten auf Qualität“, Hamburger Abendblatt, June 14, 2016
„Art Basel: Politics as Unusual“, observer, June 22, 2016
„Art Basel: a dose of reality with exhibits on snooping and migration“, the guardian, June 18, 2016.

2015
Kataloge / catalogues:
„Kader Attia“, Musée Cantonal des Beaux-Arts de Lausanne, 2015.

Artikel / articles:
„Die Angst vor der Angst“, Essay, Magazin BLAU, December 2015
„Nach den Attentaten von Paris. Die Heilung des Unheilbaren“, Der Tagesspiegel, November 20, 2015
„La Vie Moderne. The 13th Biennale de Lyon“, IBRAAZ, September 24, 2015
„The Loop - Kader Attia“, 44th Day of the series „Planetary Computing (Is the Universe actually a gigantic Computer?), e-flux journal, July 4, 2015
„Kader Attia: Independent Tchao, 2013“, Basler Zeitung, June 20, 2015
„Kader Attia’s ‚Scarification, Self Skin’s Architecture‘“, art agenda, June 10, 2015

2014
Kataloge / catalogues:
„RepaiR“, Léa Gauthier, Jack Black editions, Paris / France, 2014.
„Continuum of Repair: The Light of Jacob’s Ladder“, Whitechapel Gallery, London.
„Kader Attia. The Repair from Occident to Extra-Occidental Cultures“, The Green Box, Berlin / Germany, 2014.
„Art Histories“, MdM, Salzburg / Austria, 2014.
„DAK’ART“, 11ème Biennale de l’Art Africain Contemporain, Dakar / Senegal, 2014.
„Divine Comedy“, MMK Frankfurt am Main / Germany, 2014.
„Where are we now?“, 5th Marrakech Biennial, Marrakech / Morocco, 2014.

Artikel / articles:
„Kader Attia: Visionaire symfonie“, COLLECT Arts Antiques Auctions, NL, October 2014
„Kader Attia“, monopol, March 2014
“All the difference in the world”, Manthia Diawaraon the work of Kader Attia for Artforum, February 2014

2013
Kataloge / catalogues:
„Art & architecture: collection du FRAC CENTRE, Orléans / France, 2013.
„Ici, ailleurs“, La Friche de La Belle de Mai, Marseille / France, 2013.
„Modernity: Perspectives from France and Turkey“, Istanbul Modern, Istanbul / Turkey, 2013.
„Terms and Conditions“, The Singapure Art Museum, Singapore, 2013.
„Newtopia: The state of human rights“, ed. by Katerina Gregos, Elena Sorokina, Cultuurcentrum Mechelen, 2013.
„Museum Off Museum“, Bielefelder Kunstverein, Bielefeld, 2013.

Artikel / articles:
Fevre, Anne-Marie. “Les traversées de Kader Attia“, Next Liberation, August 8, 2013.
“Les Terrasses, Kader Attia “, Culture 13 (May 2013), http://www.culture-13.fr/agenda/les-terrasses-kader-attia.html (accessed November 12, 2013).
Maus, Burkhard. “Kader Attia – Reparatur und Transfer“, Art Magazin (May 2013).
Mickel, Fridey, “We are living in incredible times of amnesia (Interview)“, Exberliner.com, (August 14, 2013), http://www.exberliner.com/culture/art/we-are-living-in-incredible-times-of-amnesia/ (accessed November 12, 2013).
Schmitz, Julia. “Zwischen Wissenschaft und Spiritualität“, Kunst-magazin.de (May 24, 2013), http://kunst-magazin.de/zwischen-wissenschaft-und-spiritualitaet/ (accessed November 12, 2013).
Stahl, Antje. “Narben der Geschichte: Kader Attia demaskiert in Berlin den Kolonialismus“, Monopol Magazin 07 (June 2013).

2012
Kataloge / catalogues:
„dOCUMENTA 13. Katalog 1-3/3. Das Begleitbuch“, ed. by Carolyn Christov-Bakargiev, Museum Fridericianum, Kassel / Germany, 2012.
Gruzinski, Serge. „From Holy Land to open your eyes. Kader Attia. The Repair from Occident to Extra-Occidental Cultures.“, text on the exhibition, dOCUMENTA (13), Museum Fridericianum, Kassel, 2012.
„Die Stadt, die es nicht gibt“, Ludwig Forum für Internationale Kunst, Aachen / Germany, 2012.
„Glissement de terrain: impertinence-Resistance-Survivance“, Museum Ianchelevici, La Louvière / Belgium, 2012.
„Haji: Journey to the Heart of Islam“, The British Museum, London / UK, 2012.
„In Other Words“, NGBK, Berlin / Germany, 2012.
„Kader Attia: Reappropriation as Resistance, Critical Spatial Practice (CSP)“, Staedelschule book series ed. by Nikolaus Hirsch & Markus Miessen, Berlin / Germany, 2012.
„Liverpool Biennial 2012“, Tate Liverpool Collection (exhibition „Thresholds“), Liverpool / UK, 2012.
„Projet pour l’art contemporain: 10 ans d’acquisitions Société des Amis du Musée national d’art moderne – Centre Pompidou, ed. by Somogy, Paris / France, 2012.
„Räume der Erinnerung“, Kunsthalle Düsseldorf / Germany, 2012.
„Skycraper: Art and Architecture Against Gravity“, Museum of Contemporary Art Chicago / US, 2012.
„The Best of Times, The Worst of Times“, 1st Kiev International Biennale of Contemporary Art, Kiev / Ukraine, 2012.
„The Far and the Near: St Ives and International Art.“, Tate, St Ives / UK, 2012.

Artikel / articles:
Corbett, Rachel. “Dokumenta 2012: Bombs Away“, artnet.com (June 2012), http://www.artnet.com/magazineus/features/corbett/documenta-2012.asp (accessed November 12, 2013).
Büsing, Nicole and Heiko Klaas. “Documenta 13“, kunstmarkt.com (June 2012), http://www.kunstmarkt.com/pagesmag/kunst/_id264645-/ausstellungen_berichtdetail.html?_q=%20 (accessed November 12, 2013).
“Eine documenta zum Schauen, Stauen und Grübeln“, Die Welt, June 6, 2012.
Prince, Mark. “Review: Kader Attia at Christian Nagel“, Art in America, (May 3, 2012), http://www.artinamericamagazine.com/reviews/kader-attia/ (accessed November 12, 2013).
Chauvel-Lévy, Léa. “Entretien — Kader Attia (Interview)“, Slash Magazine, (May 25, 2012), http://slash-paris.com/articles/entretien-kader-attia (accessed November 12, 2013).
Bates, Emily. “Performing Histories (1): Kader Attia‘s Open Your Eyes“, Inside/Out MoMA,
September 27, 2012, http://www.moma.org/explore/inside_out/2012/09/27/performing-
histories-1-kader-attias-open-your-eye (accessed November 12, 2013).

2011
Kataloge / catalogues:
„Collector“, Collection of the Fond National d’Art Contemporain, Le Tri Postal, Lille / France, 2011.
„De leur temps (3)“, FRAC d’Alsace – Séléstat – Grenoble / France, 2011.
„Drift: An Exploration of Urban and Suburban Landscapes“, Sharjah Art Foundation, Sharjah / United Arab Emirates, 2011.
„Dublin Contemporary“, Dublin / Ireland, 2011.
„French Window“, Mori Museum, Tokyo / Japan, 2011.
„Paris-Delhi-Bombay …“, Centre Pompidou, Paris / France, 2011.
„PROJECT EUROPA: Imagining the (Im)possible“, the Miriam and Ira D. Wallach Art Gallery, Columbia University, New York / US, 2011.
„Strike Oppose“, barrel Art Foundation, Sharjah / United Arab Emirates, 2011.
„The Global Contemporary: Art World after 1989“, Zentrum für Kunst und Medientechnologie, Karlsruhe / Germany, 2011.
„“Wunder: kunst, Religion und Wissenschaft vom 4. Jahrhundert bis zur Gegenwart“, Deichtorhallen hamburg / Germany, 2011.
„4th Moscow Biennale“, Moscow / Russia, 2011.

Artikel / articles:
Mercer, Kobena, An interview with Kader Attia, Atlántica. Journal of Art and Thought, Number 50, (Spring-Summer 2011)

2010
Kataloge / catalogues:
„Dreamlands“, Centre Pompidou ,Paris / France, 2010.
„Geo-graphics: A Map of Art Practices in Africa, Past and Present“, Palais des Beaux Arts , Brussels / Belgium, 2010.
„Make Yourself at Home“, kunsthal Charlottenborg, Copenhagen / Denmark, 2010.
„La Route de la soie“, Le Tri Postal ( Beaux Arts Magazine, hors-saris), Lille / France, 2010.
„Living in Evolution“, Busan Biennale, Busan / South Korea, 2010.
„PROJECT EUROPA: Imagining the (Im)possible“,The Samuel P. Harn University of Florida, Gainesville / US, 2010.
„Street & Studio: From Basquiat to Séripop“, Kunsthalle Wien, Vienna / Austria, 2010.
„THE BEAUTY OF DISTANCE: Songs of Survival in a Precarious Age“, Biennale of Sydney / Australia, 2010.
„The Future of Tradition – The Tradition of Future“, Haus der Kunst, Munich / Germany, 2010.
Utopia and Monument II: On Virtuosity and the Public Sphere“, steirischer herbst, Graz / Austria, 2010.

Artikel / articles:
Gropp, Rose-Maria. “Ein Versprechen für die Zukunft“, Frankfurter Allgemeine Zeitung, März 20, 2010.
Farrell, Laurie Ann. “Kader Attia's History of a Myth: The Small Dome of the Rock“, Nafas Art Magazine (March 2010) http://universes-in-universe.org/eng/nafas/articles/2010/kader_attia (accessed November 12, 2013)
Volk, Gregory. “Review: Kader Attia at Christian Nagel Berlin“, Art in America (Februar 2010), http://www.artinamericamagazine.com/reviews/kader-attia/ (accessed November 12, 2013).
Bloch, Werner. “Die revolution wird zensiert... “, Die Welt, April 10, 2010.
Werner Spieß: "In den Hallen des Traumkönigs. Rütteln an der Vorstellungskraft: Die Ausstellung "Dreamlands" im Pariser Centre Pompidou feiert künstlerische und architektonische Utopien und zukünftige Weltwunder.", in: FAZ, 20.Mai 2010, Nr. 115, S. 33.

2009
Kataloge / catalogues:
„Collection 10“, IAC – Institut d’art contemporain – Frac Rhone- Alpes, Villeurbanne / France,
2009.
„Disorientation II“, Sharjah Art Foundation, Abu Dhabi / United Arab Emirates, 2009.
„Dispositivos ópticos“, Centro Andaluz de Arte Contemporáneo, Sevilla / Spain, 2009.
„Eternal Tour 2009“, Centre d’Art de Neuchatel, Neuchatel / Switzerland, 2009.
„FIAC“, Musée national d’art moderne et contemporain, Algiers / Algeria, 2009.
„Frontières, 8th African Biennale of Photography“, Bamako / Mali, 2009.
„Integration and Resistance in the Global Era“, 10 savanna Biennale, Havanna / Cuba, 2009.
„Kader Attia“, Centro Arte Contemporáneo, Huarte, Brussels / Belgium, 2009.
„La Force de l’Art 02“, Galeries nationales du Grand Palais, Paris / France, 2009.
„Looking Inside Out“, Kunstnernes Hus, Oslo / Norway, 2009.
„Praxis: Art in Time of Uncertainly“, Thessaloniki Biennale, Thessaloniki / Greece, 2009.
„Time Out of Joint: Recall and Recent Art“, The Kitchen, New York.

Artikel / articles:
Oscar Kocken, „OOG IN OOG“, in: mister Motley, Nr. 23, Amsterdam, S. 62-64.

2008
Kataloge / catalogues:
"Kader Attia: Signs of Reappropriation”, Acca Gallery of The Savannah College of Art and
Design, Atalanta, 2008.
„French connection: 88 contemporary artists, 88 art critics“, Brussels / Belgium, 2008.
„In the Desert of Modernity“, Haus der Kulturen der Welt, Berlin / Germany, 2008.
„Kader Attia“, Signs of Reappropriation“, Acca Gallery, Savannah College of Art and Design, Atlanta / US, 2008.
„Réfléchir le monde“, La Centrale électrique, Brussels / Belgium, 2008.
„The Other“, 11th Cairo Biennale, Cairo / Egypt, 2008.
„Traversia“, Centro Atlántico de Arte Moderno, LAs Palmas de Gran Canaria / Spain, 2008.
„XXX Biennale de Pontevedra“, Pontevedra / Spain, 2008.

Artikel / articles:
Till Briegleb: "10 Vorurteile über Kunst und Islam und was davon zu halten ist", in: Art, Dezember 2008, Nr. 12, S. 51-60.
"Das Vokabular des Vandalismus", taz - Thüringer Allgemeine Zeitung, 1. April 2008, S. 15.

2007
Kataloge / catalogues:
„Accélération“, Centre d’Art Neuchâtel, Neuchâtel / Switzerland, 2007.
„Equatorial Rhythmus“, Sternenmuseet, Oslo / Norway, 2007.
„L’Empire du lieu #4“, Domaine Pommery, Reims / France, 2007.
„New Economy“, Artist Space, New York / US, 2007.
„Signes d’Existence“, Museo de Arte Contemporaneo, Santiago de Chile / Chile, 2007.

Artikel / articles:
Edgar Schmitz: "The Politics of Fear - Projektionsflächen", in: Kunstforum, Bd. 186, Juni-Juli, S. 405-406.
Morgan Falconer: "New Economy", frieze, Issue 110, Oct. 2007. S.284.
"Kader Attia : a concrete jungle in London’s leafy (and loaded) lanes", The Art Newspaper, Oct. 2007.
Schmitz, Edgar : „The Politics of Fear – Projektionsflächen », in : Kunstforum, Bd. 186, Juni-Juli 2007, S.405-406.

2006
Kataloge / catalogues:
„Kader Attia“, Le Magasin, Grenoble, et JRP | Ringier Kunstverlag, Lyon / France, 2006.
„Kader Attia“, Musée d’Art Contemporain de Lyon and le Magasin, CNAC Grenoble, Grenoble and Lyon / France, 2006.
„Nuit Blanche“, Paris / France, 2006.
„BLACK PARIS: Kunst und Geschichte einer schwarzen Diaspora“, Iwalewa- Haus, Bayreuth / Germany“, 2006.
„Notre histoire: une scène artistique française émergente“, Palais de Tokyo, Paris / France, 2006.
„Art Basel 37 & Art Unlimited“, Basel / Switzerland 2006.
„Take a walk on the wild side“, de Pury & Luxembourg Gallery, Zurich / Switzerland, 2006.
„Signes d’Existence“, Art Museum of the Beijing Fine Art Academy, Beijing / China, 2006.

Artikel / articles:
Émilie Renard: „Kader Attia. À double détente“, Beaux Arts Magazine, Décembre 2006, S. 60-63.
Nuit Blanche catalogue, Paris / France, 2006.
„Kader Attia“ catalogue, Musée d’Art Contemporain de Lyon & le Magasin, CNAC Grenoble, France 2006.
100 artistes français, qu’est-ce l’art contemporain en France », Beaux Arts Magazine
„Le manège inquiétant de Kader Attia”, le Monde 2, n°129, August, 5th, 2006.
„Focus Paris“, Flashart, July-September 2006.
„Carte blanche à Kader Attia“, Mouvement, July-September 2006.
“Kader Attia, œil pour œil, dent pour dent”, L’œil, July-August 2006.
Ideat, July-August 2006.
Art Actuel, July-August 2006.
Quantara, Summer edition 2006.
Beaux Arts Summer supplement 2006.
Le Figaro, August, 7th 2006.
“Génération Kader”, Lyon Capitale, July, 4th 2006.
Le Tout Lyon, July, 1st 2006.
“Kader Attia face aux fractures du monde”, Connaissance des Arts, n° 639, June 2006.
„Le retour du saltimbanque“, Lyon Mag, June 2006.
Muze, June 2006.
La Tribune de Lyon, June, 30th - July, 6th 2006.
„Le réalisme rageur et railleur de Kader Attia“, Le Monde, June 30th, 2006.
“Une rétrospective Kader Attia”, Métro Lyon, June 28th, 2006.
„20 minutes“, June 23th, 2006.
The Telegraph, June 20th, 2006.
Le Maine libre dimanche, June 19th, 2006.
„Kader Attia dans l’œil des musées“, Le Figaro, June 17th, 2006.
Die Stuttgarter Zeitung, June 16th, 2006.
Die Presse.com, June 16th, 2006.
kunstmarkt.com, June 16th, 2006.
Le Figaro, June 16th, 2006.
Le Monde, June 16th, 2006.
kunsmarkt.com, June 14th, 2006.
„That sinking feeling: Attia closes in on visitor”, The Art Newspaper, June 13th, 2006.
Afrique magazine, April 2006.
BT Bijutsutecho, April 2006.
Kunstbeeld, April 30th, 2006.
Tageblatt, April 7th, 2006.
Cosmostreet, Spring edition 2006.
Ideat, March-April 2006.
Archistorm, March-April 2006.
„Kader Attia“, Dazed & Confused, March 2006.
Connaissance des Arts, March 2006.
Highlights, March 2006.
TV5 Monde tv, March 4th , 2006.
Le Jeudi, March 2nd, 2006.
Pink tv, February 28th 2006.
Campus, France 2 tv, February 3rd, 2006.
Le Journal des Arts, February 3rd-16th , 2006.
La Tribune, February 6th, 2006.
Le Figaroscope, February 1st-7th, 2006.
Wolganmisool, February, 2006.
Beaux Arts Magazine, January 2006.
Canal + tv, January 30th, 2006.
Les Echos, January 27th, 2006.
Jeune Afrique l’Intelligent, January 22nd-28th, 2006.
Culture Club, France 4 tv, January 24th, 2006.
Radio classique radio, January 23rd, 2006.
Le Monde, January 23rd, 2006.
France Info radio, January 23rd, 2006.
Le Monde 2, January 21st, 2006.
tf1.fr, January 20th, 2006.
Le Nouvel Observateur, January 19th-25th, 2006.
Télérama, January, 1st-7th, 2006.

2005
Kataloge / catalogues:
„L’expérience de la durée“, Biennale de Lyon, Lyon / France, 2005.
„Le Prix Marcel Duchamp 2005“, FIAC, Paris / France, 2005.
„Meeting Point“, Sternersen Museum, Oslo / Norway, 2005.
„Regards des photographes arabes contemporains“, Institut du Monde Arabe, Paris /France 2005.
„Art Unlimited, Art Basel 36“, Basel / Switzerland, 2005.
„SingulierS“, Guandong Museum of Art, Guandong / China, 2005.

Artikel / articles:
Das Deutsche Bank Art Magazine, December 2005.
Kunstkritik, November 25th, 2005.
NRK tv, November 8th, 2005.
Dagbladet, November 6th, 2005.
Paris-Match, November 3rd-9th, 2005.
Billedkunst, November 2005.
Marie-France, November 2005.
Scotland on Sunday, October 30th, 2005.
„Kader Attia’s Flying Rats“, fluctua.net, October 26th, 2005.
The Observer, October 20th, 2005.
„Du pigeon jusqu’ à l’obsession”, Lyon Capitale, October 18th, 2005.
Dag savisen, October 15th, 2005.
kunstkritikk.no, October 14th, 2005.
Madame Figaro, October 8th-14th, 2005.
„Kader Attia, le raid psychiatrique“, Le Figaro, October 7th, 2005.
Art tv, October 7th, 2005.
NZZ Online, October 7th, 2005.
liberation.fr, October 6th, 2005.
Le Monde, October 2nd-3rd, 2005.
Radio France, October 3rd, 2005.
Lyon Magasine, n°151, October 2005.
Marie-Claire, October 2005.
Kunstzeitung, October 2005.
Artco, October 2005.
Die Neue Zürcher Zeitung, September 25th 2005.
Le Monde 2, September, 24th
Le Journal des Arts, September 23rd – October 6th, 2005.
Le Soir, September 23rd, 2005.
Les Echos, September, 23rd, 2005.
Télérama, September, 21st 2005.
Lyon Capitale, September 20th, 2005.
L’Humanité, September 19th, 2005.
Le Journal du Dimanche, September 18th 2005.
El Pais, September 16th, 2005.
Die Ostthringer Zeitung, September 15th, 2005.
Lyon plus, September 15th, 2005.
Le Monde, September 15th, 2005.
Lyon Figaro, September 14th, 2005.
Liberation, September 14th, 2005.
20 minutes, September 14th, 2005.
expatica.com, September, 2005.
Les Inrockuptibles, July, 27th – August 16th, 2005.
Les Echos, June 24th, 2005.
Artforum.com / Diary, June 18th, 2005.
Le Monde, June 17th, 2005.
arnet.com, June 2005.
“Exhibition at the Gallery @ Sketch”, Time Out London, Martin Coomer, May – June 2005.
Teknemedia.net, March 2005.
iniva.org, March 2005.

2004
Kataloge / catalogues:
„Art Basel Miami Beach“, Miami / USA , 2004.
„Shake“, Villa Arson, Nice / France, 2004.

Artikel / articles:
arte al dia, 2004.
artnet.com, June, 12th, 2004.
“Bouleverser les symboles”, Préférence mag. n°6, 2004.
Time Out Tel Aviv, November 25th, 2004.
Le Monde, December 3rd, 2004.
Le Figaro, December 2nd 2004.
Le Journal des Arts, December 2004.
artnet.com, December 9th, 2004.
Die Süddeutsche Zeitung, December 7th, 2004.
Die Tageszeitung, December 7th, 2004.
The Artnewspaper, December 5th, 2004.
Die Frankfurter Allgemeine, December 4th, 2004.
“Kader Attia, un artiste cousu main”, Le Figaro, December 3rd, 2004.
“Exposition Hallal”, Art Press n° 301, 2004.
Artforum, January 2004.

2003
Kataloge / catalogues:
„Fault Lines, Contemporary African Art and Shifting Landscapes“, 50th Venice Biennale, Venice / Italy, 2003.
„Ouvertures Algériennes: créations vivantes“, la Criée, Rennes / France, 2003.
„Voyages d’Artistes“, Foundation Electra, Paris / France, 2003.
„Art Basel 34“, Statement space, 2003.

Artikel / articles:
Carnet n° 31 July, 2003.
The Daily Star Regional, July 10th, 2003.
Artthrob, July 2003.
The power of Culture, July 2003.
Teknemedia.net, June 27th, 2003.
arnet.com, June 27th, 2003.
Italy Magazine, June 2003.
Paris Match, June 2003.
regioartline.de, June 2003.
vivacity.it, June 27th, 2003.
European Art Magazine, June 22th, 2003.
Les Echos, June 20th, 2003.
Die Neue Zürcher Zeitung, June 17th, 2003.
Le Monde, June 16th, 2003.
Le Journal des Arts, June 13rd – 16th, 2003.
artnet.com, June 2003.
Le Journal des Arts, May 2003.
Artforum, March 31st, 2003.
Artforum, November, 2003.

2002
Kataloge / catalogues:
„Atelier 1997-2002“, Centre National de la Photographie, Paris / France, 2002.

Artikel / articles:
Le Journal des Arts, May 2002.
Aden, May 2002.
Têtu, May 2002.
Nova, May 2002.
Alter Ego catalogue, Kamel Mennour gallery, Paris, France 2002.

2001
„Die Gefahr im Verzug: Kunst“, Frankfurter Rundschau, March 2001.
kunsmarkt.com, January 18th, 2001.

2000
„Kader Attia, le parfum de l’exil“, Libération, January 2000.
„Kader Attia“, Art forum, September 2000.
„Le regard de Kader Attia?“, Le Monde 2000.
„Boulevard des illusions perdues“, L’événement du jeudi, February 2000.
„Kader Attia“, Art Press n° 256, 2000.
„Nique ta mort“, Nova Magazine, April 2000.
„Catherine David zeigt Kunst in Berlin“, Die Frankfurter Allgemeine Zeitung, Feuilleton, December 2000.
„Das ist der Stand der Dinge“, Die Allgemeine Zeitung Berliner Seiten, December 2000.
„Der Wiederschein der Wahrheit“, Der Tagesspiegel, Feuilleton, October 2000.
„Die Wüste Wackel“, Die Tageszeitung, December 2000.
„David schärft unseren Blick“, Die Hersfelder Zeitung, December 2000.
„Die Politik der Bilder“, Zitty n° 26, December 2000.
„Einiges wird sichtbar“, Die Süddeutsche Zeitung, December 2000.
Catherine David: “Der Stand der Dinge in den Berliner Kunst Werken », Standard, December 2000.
„Les armes de l’art contemporain contre les conflits d’aujourd’hui“, Le Monde, December 2000.

1999
“Périphérique sous la ceinture”, Nova 1999.
Pseudos, DS Magazine, October 1999.
Têtu, texte d’Hélène Hazéra, June 1999.
“Kader Attia, La marge de la marge”, Le Journal du CNP, 1999.

1997
„L’Algérie silencieuse de Kader Attia“, Photographie Magazine 1997.
„Une image pour l’Algérie“, Clara Magazine n° 43, September 1997.
Sans papiers Algériennes: La vie travestie 1997.
Combat face au Sida, December n° 14, 1997.