Artissima Artissima 2022

03/11/2022 – 06/11/2022

OVAL Lingotto Fiere
via Giacomo Mattè Trucco, 70
Torino

Artissima Website

VIP Preview
Thursday, November 3, 2022

Public Days
Friday, November 4, 2022, 12–8 pm
Saturday, November 5, 2022, 12–8 pm
Sunday, November 6, 2022, 11–7 pm

Artissima 2022, Torino Installation view Photo: Sascha Herrmann

Luca Vitone “Räume (Europäische Zentralbank, Frankfurt/Main)”, 2018 Dust watercolor on paper, cherry wood framed 249 x 169cm Photo: Simon Vogel

Artissima 2022, Torino Installation view Photo: Sascha Herrmann

Artissima 2022, Torino Installation view Photo: Sascha Herrmann

Peter Zimmermann “self writing”, 2020 Oil on Dibond 250 x 160 cm Photo: Thorsten Schneider

Anna Fasshauer „Chief Chukker“, 2022 Powder coated aluminum 186 x 70 x 70 cm Photo: Sascha Herrmann

Anna Fasshauer „Fuzz Banana“, 2022 Powder coated aluminum 150 x 120 x 110 cm Photo: Sascha Herrmann

Peter Zimmermann “invisible”, 2022 Epoxy resin on canvas 150 x 110 cm Photo: Thorsten Schneider

Artissima 2022, Torino Installation view Photo: Sascha Herrmann

Artissima 2022, Torino Installation view Photo: Sascha Herrmann

Mark Dion “New Curiosities for the Green Vault. Blood Coral”, 2014 Kunststoff, Holz, Bein, Stoff, Objekte von Flohmärkten 42 x 33 x 24 cm Photo: Simon Vogel

Mark Dion
„Cabinet of Marvels“, 2019
Mixed media
190 x 130 x 48 cm

Artissima 2022, Torino Installation view Photo: Sascha Herrmann

Pedro Wirz „Pupillen (Green)“, 2022 Mouth blown glass Each size variable Photo: Sascha Herrmann

Pedro Wirz „Sadnest #7 (Lion)“, 2022 wood construction, textile debris, metal staples, dirt, bitumen, acrylic binder, UV acrylic shield 190 x 97 x 20 cm Photo: Sascha Herrmann

Pedro Wirz „Sadnest #9 (Sheep)“, 2022 Wood construction, textile debris, metal staples, dirt, bitumen, acrylic binder, UV acrylic shield 80 x 33 x 15 cm Photo: Sascha Herrmann

Pedro Wirz „Sadnest #8 (Frog)“, 2022 Wood construction, textile debris, metal staples, dirt, bitumen, acrylic binder, UV acrylic shield 80 x 33 x 15 cm Photo: Sascha Herrmann

Martha Rosler
„Small Wonder“
from the series: „Body Beautiful, or Beauty Knows No Pain“, 1966-72
Photomontage

Martha Rosler
“De Tomaso Pantera”
from the series: “Body Beautiful, or Beauty Knows No Pain”, 1966-72
Photomontage

Martha Rosler
„Centerfold“ or „Miss February“
from the series: “Body Beautiful, or Beauty Knows No Pain”, 1966-72
Photomontage

Joëlle Tuerlinckx „Collage d’atelier -série Plan B -série b ‚Double Pise:That’s it – jupe'“, 2021 Collage 61,6×44,1×3,2 cm Photo: Simon Vogel

Joëlle Tuerlinckx „Collage d’atelier -série Plan B -série b ‚Double St. Petersburg:X'“, 2021 Collage 61,6×44,1×3,2 cm Photo: Simon Vogel

Joëlle Tuerlinckx „Katern 4:4 cuivre“, 2020 20,1×20,1×3,8 cm Photo: Simon Vogel

Joëlle Tuerlinckx „Bois“ Different Sizes Photo: Simon Vogel

Artissima 2022, Torino Installation view Photo: Sascha Herrmann

Stefan Müller „Marilyn“, 2022 Acrylic on canvas 260 x 230 cm Photo: Sascha Herrmann

Artissima 2022, Torino Installation view Photo: Sascha Herrmann

Luca Vitone „Der Zukunft Glanz (Karussell)“, 2014 Video, tablecloth, wood, aluminium, 3 bicycles, iron, soil, chrysanthemums ca. 100x 280 x 280 cm Photo: Simon Vogel

Artissima 2022, Torino Installation view Photo: Sascha Herrmann

Christine Wang „Galadriel“, 2022 Oil and acrylic on canvas 152.40 x 152.40 cm Photo: Simon Vogel

Heimo Zobernig Untitled, 2014 200×200 cm

Heimo Zobernig Untitled, 2015 200×200 cm

Heimo Zobernig Untitled, 2015 200×200 cm

Heimo Zobernig Untitled, 2020 200×200 cm

Heimo Zobernig Untitled, 2014 200×200 cm

Press Release

Mark Dion
Anna Fasshauer
Stefan Müller
Martha Rosler
Joëlle Tuerlinckx
Luca Vitone
Christine Wang
Pedro Wirz
Peter Zimmermann
Heimo Zobernig

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