MICHAEL RIEDEL

„Form Matters, Matter Forms“ Exhibition view Kunstmuseum Winterthur, 2024 Photo: Cedric Mussano

Michael Riedel „Erfolg“ Exhibition view Galerie Nagel Draxler, Cologne 2022 Photo: Simon Vogel

Michael Riedel „Erfolg“ Exhibition view Galerie Nagel Draxler, Cologne 2022 Photo: Simon Vogel „Erfolg“ Exhibition view Galerie Nagel Draxler, Cologne 2022 Photo: Simon Vogel

Michael Riedel „Ohne Titel (Patterned Patter, Frozen Chrome Rose Gold)“, 2022 LED direct print on passe-partout cardboard, high performance foil 243.6 x 174.6 cm

Michael Riedel „Ohne Titel (Patterned Patter, Frozen Chrome Roe Gold)“, 2022 LED direct print on passe-partout cardboard, high performance foil 243.6 x 174.6 cm

Michael Riedel „Ohne Titel (Patterned Patter, Frozen Chrome Gold Lemon)“, 2022 LED direct print on passe-partout cardboard, high performance foil 243.6 x 174.6 cm

Michael Riedel „Ohne Titel (Patterned Patter, Frozen Chrome Aluminium)“, 2022 LED direct print on passe-partout cardboard, high performance foil 243.6 x 174.6 cm

Michael Riedel „Ohne Titel (Patterned Patter)“, 2022 LED direct print on passe-partout cardboard, high performance foil 243.6 x 174.6 cm

Michael Riedel „Ohne Titel (Patterned Patter, Pearl Symphony Matt)“, 2022 LED direct print on passe-partout cardboard, high performance foil 243.6 x 174.6 cm

Michael Riedel „Ohne Titel (Patterned Patter, Frozen Chrome Luminous Red)“, 2022 LED direct print on passe-partout cardboard, high performance foil 243.6 x 174.6 cm

Michael Riedel „Ohne Titel (Patterned Patter, Frozen Chrome Bright Orange)“, 2022 LED direct print on passe-partout cardboard, high performance foil 243.6 x 174.6 cm

Michael Riedel „Ohne Titel (Patterned Patter, Satin Red Jasper)“, 2022 LED direct print on passe-partout cardboard, high performance foil 243.6 x 174.6 cm

Michael Riedel „Ohne Titel (Patterned Patter)“, 2022 Laser printing on Photo Rag Ultra Smooth paper 90 x 50 cm

Michael Riedel „Ohne Titel (Patterned Patter)“, 2022 Laser printing on Photo Rag Ultra Smooth paper 37.5 x 28.5 cm

Michael Riedel Installationsansicht „Grafik als Ereignis“, 2018 Museum Angewandte Kunst, Frankfurt

Michael Riedel „Ohne Titel (Click, Doubleclick) “, 2011 170 x 230 cm

Michael Riedel Installationsansicht „CV“, 2017 Kunsthalle Zürich

Michael Riedel Installationsansicht „CV“, 2017, (Detail) Kunsthalle Zürich

Michael Riedel Installationsansicht „PowerPoint“, 2013 David Zwirner, New York

Michael Riedel Ausstellungskatalog „The quick brown fox jumps over the lazy dog“, 2011 David Zwirner Gallery, New York

Michael Riedel „Ohne Titel (Update)“, 2014 120 x 120 x 4cm

Michael Riedel Installationsansicht „Michael Riedel“, 2015 Le Box, Marseille

Michael Riedel „Ohne Titel (color light blue)“, 2016 60 x 80 cm

Michael Riedel „Ohne Titel (drop)“, 2016 60 x 80 cm

Michael Riedel Installationsansicht „Die Traumdeutung, A–Z“ (Permanente Installation), 2015 Sigmund-Freud-Institut, Frankfurt

Michael Riedel Installationsansicht „Die Traumdeutung, A–Z“ (Permanente Installation), 2015 (Detail) Sigmund-Freud-Institut, Frankfurt

Michael Riedel „Ohne Titel (Die Traumdeutung, A-Z)“, 2014 28 Poster je 29,7 x 84 cm (Anordnung variabel)

Michael Riedel Installationsansicht „Michael Riedel“, 2017 Saarlandmuseum – Moderne Galerie, Saarbrücken

Michael Riedel „Ohne Titel (Checkerboard Across)“, 2012 170 x 230 cm

Michael Riedel „Ohne Titel (Checkerboard Across)“, 2013 170 x 230 cm

Michael Riedel „Ohne Titel (Random Bars Horizontal)“, 2013 170 x 230 cm

Michael Riedel Installationsansicht „Immer anders, immer gleich“, 2018 Bündner Museum, Chur

Michael Riedel „Ohne Titel (71 Poster_2007–2018)“, 2019 84 x 119 cm

Michael Riedel „Ohne Titel (71 Poster_2007–2018)“, 2019, (Detail) 84 x 119 cm

Michael Riedel Plakat „ˈzɛlpstbəˈʃʁaɪ̯bʊŋ”, 2019

Michael Riedel Online Katalog www.michaelriedel.net/mdbk, 2019

Michael Riedel Plakat „Grafik als Ereignis“, 2018 Museum Angewandte Kunst, Frankfurt

Michael Riedel Installationsansicht „Art Material“, 2016 David Zwirner, New York

Michael Riedel „Ohne Titel (Art Material_Hylobatidae)“, (Diptychon), 2015 Je, 144 x 254 x 3cm

Michael Riedel „Ohne Titel (Einladungskarte „PowerPoint“)“, 2013 20 x 20cm

Michael Riedel E15 Selected Edition, 2018 (Detail)

Michael Riedel „Ohne Titel (Art Material)“, 2017 170 x 230 x 3cm

Michael Riedel „Ohne Titel (Auswahl_Art Material )“, 2017 170 x 230 x 3cm

Michael Riedel „Vier Vorschlaege zur Veränderung von Allg[emein] in Frankfurter Allgemeine (1)“,2019 je 70 x 70cm

Michael Riedel „Vier Vorschläge zur Veränderung von [Modern 41-44]“, 2009 290 x 300cm / 275 x 250cm

Michael Riedel „Vier Vorschläge zur Veränderung von [Modern 31]“, 2009 275 x 250cm

Michael Riedel „Vier Vorschläge zur Veränderung von [Modern 12]“, 2009 275 x 250cm

Michael Riedel Installationsansicht „Laws of Form“, 2014 David Zwirner, London

Michael Riedel Installationsansicht (site-specific installation at David Zwirner booth), 2012 Armory Show, New York

Michael Riedel „Ohne Titel (John Cage)“, 2010 144 x 254 cm

Michael Riedel „Ohne Titel (el Gal)“, 2010 144 x 254 cm

Michael Riedel „Ohne Titel (Richard Prince)“, 2010 144 x 254 cm

Michael Riedel „Ohne Titel (Dissolve)“, 2014 144 x 254 cm

Michael Riedel „Ohne Titel (Marcus)“, 2014 144 x 254 cm

Michael Riedel „Ohne Titel (PowerPoint)“, 2014 144 x 254 cm

Michael Riedel Installationsansicht „Kunste zur Text (Algorithmiques)“, 2012 Galerie Michel Rein, Paris

Michael Riedel Installationsansicht „Konkrete Gegenwart“, 2018 (Detail) Haus Konstruktiv Zürich

Michael Riedel Installationsansicht „Konkrete Gegenwart“, 2018 Haus Konstruktiv Zürich

Michael Riedel „Besuchte und nicht besuchte Ausstellungen [Einladungen]“, 2016

Michael Riedel „Perlstein Audiobook“, 2011

Michael Riedel „Ohne Titel (Druckbögen Cover Tirala, Meckert, Perlstein, Fuchs)“, 2006–2017

Michael Riedel Installationsansicht „Kunste zur Text“, 2012 Schirn, Frankfurt

Michael Riedel Ohne Titel (20 Boxen für die Einladungskarten Powerpoint), 2013

Michael Riedel „Ohne Titel (Agavendicksaft 6 x 250 ml)“, 2013 170 x 230 x 4 cm

Michael Riedel „Ohne Titel (Verpackungsmaterial)“, 2013 170 x 230 x 4 cm

Michael Riedel Installationsansicht „Michael Riedel liest Oskar“, 2014 Museum für angewandte Kunst, Wien

Michael Riedel Installationsansicht „Reset“, 2021 Haus Konstruktiv, Zürich

Michael Riedel Installationsansicht „The Complex of Respect“, 2006 Kunsthalle Bern

Michael Riedel Installationsansicht „Neo“, 2005 David Zwirner Gallery, New York

Michael Riedel Installationsansicht „Thomas Bayrle, Jürgen Krause, Jens Risch, Michael Riedel, Peter Roehr“, 2012 Bischoff Projects, Frankfurt

Michael Riedel Installationsansicht „Ohne Titel (Museum)“ (Permanente Installation), 2013-17 Saarlandmuseum, Saarbrücken

Michael Riedel Installationsansicht „Effj Knoos“, 2015 Palais de Tokyo, Paris

Michael Riedel Installationsansicht „Dual Air“, 2014 Palais de Tokyo, Paris

Michael Riedel „Ohne Titel (L 4)“, 2017 144 x 254 x 3cm

Michael Riedel Installationsansicht „Kunste zur Text“, 2012 Galerie Michel Rein, Paris

Michael Riedel Ohne Titel (Kunste zur Text), 2012 144 x 254 cm

Biography

geboren/ born 1972 in Rüsselsheim, Germany
lebt und arbeitet/ lives and works in Frankfurt, Germany

Prof. für Malerei und Grafik / Prof. for painting and graphic at Hochschule für Grafik und Buchkunst Leipzig, Germany.

www.michaelriedel.net

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EINZELAUSSTELLUNGEN, KUNSTMESSEN UND INTERVENTIONEN / SOLOEXHIBITIONS, ART FAIRS AND INTERVENTIONS

2022
"Abstract", PalaisPopulaire, Berlin
"Erfolg", Gabriele Senn Galerie, Wien
"Erfolg", Michel Rein Galerie, Paris
"Erfolg", Galerie Nagel Draxler, Cologne

2019
ˈzɛlpstbəˈʃʁaɪ̯bʊŋ, Museum der bildenden Künste, Leipzig [online catalogue: www.michaelriedel.net/mdbk]
Art Material, Galerie Michel Rein, Brussels
Riedels, Grimm Gallery, New York

2018
Grafik als Ereignis, Museum Angewandte Kunst, Frankfurt
Michael Riedel, Museum der Moderne, Saarbrücken [permanent installation together with Kühn Malvezzi Architects]
Je fiace Tu fiaces il/elle fiace Nous fiaçons Vous fiacez Ils /Elles ficent, Michel Rein Galerie, Paris
Michael Riedel, Grimm Gallery, Amsterdam

2017
CV, Kunsthalle Zürich, Zurich
Riedels, Geldmuseum der Bundesbank, Frankfurt
Cornell Tech Mag, Cornell Tech University, New York [permanent installation together with Thom Mayne / Morphosis Architects]
One and Three Chairs (Wien), Curated by, Galerie Gabriele Senn, Wien
L, Art Cologne Projects, Köln
Ohne Titel (Museum), Museum der Moderne, Saarbrücken [permanent installation together with Kühn Malvezzi Architects]

2016
Art Material, David Zwirner, New York
Aftershows (Palais de Tokyo 2013-2015), Gabriele Senn Galerie, Vienna
Aftershows (Palais de Tokyo 2013-2015), Bischoff Projects, Frankfurt

2015-2013
EFFJ KNOOS [JEFF KOONS], Palais de Tokyo, Paris [part three; site-specific installation]
Dual air [Dürer], Palais de Tokyo, Paris [part two; site-specific installation]
Jacques comité [Giacometti], Palais de Tokyo, Paris [part one; site-specific installation

2015
Freitagsküche, Museum für Moderne Kunst, Frankfurt [permanent installation]
Besuchte und nicht besuchte Ausstellungen [Einladungen 1997-2015], Kunstverein Braunschweig, Germany
Michael Riedel, Le Box - Fonds M-ARCO, Marseille, France

2014
Interventions 03, Goethe-Institut, Amsterdam
Laws of Form, David Zwirner, London
Ohne Titel (F-G / Die Traumdeutung)/Untitled (F-G / The Interpretation of Dreams), Sigmund Freud Institute, Frankfurt [permanent installation]
Record, Label, Play Back (Missverständnis, Ignoranz, doppelte Unschärfe), Gabriele Senn Galerie, Vienna
Record, Label, Play Back (Malentendu, Ignorance, Doubles flous), Galerie Michel Rein, Paris

2013
Michael Riedel, BWA SOKÓŁ Gallery, Nowy Sącz, Poland
Michael Riedel, Galerie Michel Rein, Brussels
Michael Riedel, Gabriele Senn Galerie, Vienna
PowerPoint, David Zwirner, New York

2012
Kunste zur Text, Schirn Kunsthalle Frankfurt
Kunste zur Text (Algorithmiques), Galerie Michel Rein, Paris
The Armory Show, New York [site-specific installation at David Zwirner booth]

2011
Club(b)ed Club, Zoo galerie, Nantes, France
Michael Riedel, Bischoff Projects, Frankfurt
The quick brown fox jumps over the lazy dog, David Zwirner, New York
The quick brown fox jumps over the lazy dog, Gabriele Senn Galerie, Vienna
Time Bank Robbery, Portikus, Frankfurt [artist's intervention in Time/Bank: Julieta Aranda and Anton Vidokle]
Viennafair 2011 [site-specific installation at Gabriele Senn Galerie booth]

2010
Michael Riedel, Galerie Michel Rein, Paris
The quick brown fox jumps over the lazy dog, Kunstverein Hamburg

2009
Vier Vorschläge zur Veränderung/ Four Proposals for Change, Städel Museum, Frankfurt
Michael Riedel, Galerie Francesca Pia, Zürich

2008
Filmed Film, David Zwirner, New York
Michael Riedel und die Ausstellung Der Meister von Flémalle und Rogier van der Weyden, Städel Museum, Frankfurt
Vier Vorschläge zur Veränderung/Four Proposals for Change, Galerie Isabella Bortolozzi, Berlin

2007
ARTIISSIIMA (II) ARTIIISSIIIMA (III), Artissima International Fair of Contemporary Art, Turin
Michael Riedel, Gabriele Senn Galerie, Vienna
Vicini Michael S. Riedel John Bo, Kunstraum Innsbruck, Austria
Poster (2003 – 08)/Printed and Unprinted Posters (2003 – 08]
Frieze Art Fair, London [site-specific installation at David Zwirner booth]

2006
24.04.2001 – 16.03.2006, Galerie Michael Neff, Frankfurt
Oskar-von-Miller Strasse 16 (Textil), High & Low: Fine Art Fair Frankfurt
Tirala, Art Statements, Art 37 Basel
Open Space 2006, Art Cologne [site-specific installation at David Zwirner booth]

2005
Momentane Monumente, Aedes West and Berlinische Galerie, Berlin [itinerary: Gió Marconi, Milan]
London Report, Gabriele Senn Galerie, Vienna
Neo, David Zwirner, New York
Frieze Art Fair, London [site-specific project for Gabriele Senn Galerie booth]

2004
Nichael Z. Riebel, Galerie Dépendance, Brussels
NOSNHO.-…... (ROBERT-JOHNSON), Galerie Michael Neff, Frankfurt
Quasi Portikus, Frieze Art Fair, London [site-specific installation at Portikus booth]

2003
‘Au fur et à mesure que la saison s’avança, changea le tableau que je trouvais à la fenêtre. 24 Natürlich wäre hier auch möglich gewesen: Au fur et à mesure que la saison s’avança, le tableau que je trouvais à la fenêtre, changea.’ 24 Marcel Proust, Gabriele Senn Galerie, Vienna
Schleifmühlgasse 1A, The Armory Show, New York
Art Frankfurt 2003 [site-specific installation at Arbeitsgemeinschaft Deutscher Kunstvereine (ADKV) booth]

2002
Gert & Georg, Portikus, Frankfurt [artist's intervention in Gilbert & George: Nine Dark Pictures]
Opel, Ausstellungshalle A1 Adam Opel AG, Rüsselsheim, Germany

2001
Christopher Wool, Gabriele Senn Galerie, Vienna [two-person exhibition with Achim Lengerer]
Moving Walls, Galerie Michael Neff, Frankfurt [artist's intervention with Achim Lengerer in Jeppe Hein: Sving]

SAMMLUNGEN (AUSWAHL) / PUBLIC COLLECTIONS (SELECTION)

Centre Pompidou, Paris
The Museum of Modern Art, New York
Haus Konstruktiv, Zürich
Museum für Moderne Kunst, Frankfurt M.
Städelmuseum, Frankfurt M.
Stedelijk Museum, Amsterdam
Fondation François Pinault
FRAC Haute-Normandie, Sotteville-lès-Rouen
Saarlandmuseum, Saarbrücken
Yuz Foundation, Hong Kong
Albertina, Wien

AUSSTELLUNGEN UND EVENTS IN DER OSKAR-VON-MILLER STRASSE 16 (AUSWAHL) /
EXHIBITIONS & EVENTS AT OSKAR-VON-MILLER STRASSE 16 (SELECTION)

The following is a selection of exhibitions and events held at Oskar-von-Miller Strasse 16, an experimental art space launched by Michael Riedel and Dennis Loesch in 2000 where they restaged cultural events. There have been three iterations of the space: Frankfurt, Oskar-von-Miller Strasse 16, 2000–2005; Berlin, Weydinger Strasse 20, 2007–2009; and Frankfurt, Mainzer Landstrasse 105, 2010–14.

2013
Anekdotenkonferenz/ Conference of Anecdotes [catalogue: Oskar – a novel, 2014]

2011
Die Situationistischen Internationalen (together with Roberto Ohrt, Daniel Birnbaum)

2008
Speech as the new director of the Frankfurter Kunstverein (together with Daniel Baumann)

2007
SK N E ST SSE [OSKAR-VON-MILLER STRASSE 16]

2006
Oskar-von-Miller Strasse 16 [Textile], Fine Art Fair Frankfurt
Demolition of Oskar-von-Miller Strasse 16 (Frankfurt)

2004
Freitagsküche (ongoing event)
NOSNHO.-…… [ROBERT-JOHNSON] (Clubbed Club Series)
Quasi Portikus, Frieze Art Fair, London
Dandy and Dandyisme
Fung und Föng feuern feuern nö
Oskar-von-Miller Strasse 16, Kunstverein Hamburg
Oskar-von-Miller Strasse 16 (Filmed Film), Filmmuseum Frankfurt

2005
Hallo Moden

2003
Kontext – Form – Troja, Wiener Secession, Vienna
Anekdotenkonferenz/ Conference of Anecdotes

2002
Double Sided Clock with Contrary Runnig Directions and Variable Velocity
Gilbert & George [Gert & Georg]
Max Goldt & Robert Gernhardt
Remake of New Year's Eve Weekender
Simon Starling

2001
Club[b]ed Club
Filmed Film
Cecil Beaton – Warhol Shooting
Jason Rhoades – Wassertest
Turiner Grabtuch (Shroud of Turin), Klasse Prof. Heimo Zobernig, Vienna
Moving Walls, Galerie Michael Neff, Frankfurt (together with Achim Lengerer)
Marco Lulic – Disco Wilhelm Reich Version FFM
Rirkrit Tiravanija

2000
Benjamin v. Buckrad-Barre – Blackbox
Guy Debord – In girum imus nocte et consumimur igni
Legendary Orgasm
Oppenheimer Bar
Recuperata Libertate
Jim Isermann

GRUPPENAUSSTELLUNGEN (AUSWAHL) / GROUP EXHIBITIONS (SELECTION)

2024
"Form Matters, Matter Forms", Kunstmuseum Winterthur, Winterthur, Germany

2022
Digitaler Dadaismus, Temporary Gallery, Köln

2021
Reset, Haus Konstruktiv, Zürich

2019
Konkrete Gegenwart, Haus Konstruktiv, Zürich

2018
Immer anders, immer gleich, Bündner Museum, Chur
Scripts, Bielefelder Kunstverein, Bielefeld

2017
In die dritte Dimension, Städelmuseum, Frankfurt

2016
Fertile Lands, Fondation d’entreprise Ricard, Paris
Sighs Trapped by Liars—Language in Art, Künstlerhaus KM-, Halle für Kunst & Medien, Graz, Austria
...und eine welt noch/…and yet one more world, Kunsthaus Hamburg
We’ve been hiding too long, David Achenbach Projects, Wuppertal, Germany

2015
All Watched Over, James Cohan Gallery, New York
FAMED - Privileg der Umstände, Gabriele Senn Galerie, Vienna [part of curated by_vienna 2015: Tomorrow Today]
Individual Stories. Collecting as Portrait and Methodology. Kunsthalle Wien, Vienna A SPACE IS A SPACE IS A SPACE, Deutsches Architektur Zentrum (DAZ), Berlin
They Printed It!, Kunsthalle Zürich
Une Saison Graphique 15, Gare de le Havre, France [organized by Fonds regional
d’art contemporain Haute-Normandie, Sotteville-lès-Rouen, France]

2014
Unendlicher Spaß/Infinite Jest, Schirn Kunsthalle Frankfurt
Wo ist hier? #1: Malerei und Gegenwart, Kunstverein Reutlingen, Germany

2013
Art for Rollins: The Alfond Collection of Contemporary Art, Cornell Fine Arts Museum, Rollins College, Winter Park, Florida
I knOw yoU, Irish Museum of Modern Art, Earlsfort Terrace, Dublin

2012
Ändere dich, Situation!, Stadtgalerie Schwaz, Schwaz, Austria
Context Message, Zach Feuer, New York
Fremde überall/Foreigners everywhere: Contemporary Art from the Pomeranz Collection, Jewish Museum, Vienna
L’Institut des archives sauvages, Villa Arson, Nice, France
Made in Germany Zwei, Sprengel Museum Hannover, Kunstverein Hannover, and kestnergesellschaft, Hanover
No Desaster. Sammlung Haubrok bei Falckenberg, Deichtorhallen Hamburg
Thomas Bayrle, Jürgen Krause, Michael Riedel, Jens Risch, Peter Roehr, Bischoff Projects, Frankfurt

2011
Books on Books, Swiss Institute, New York
Fragile Helden, Kunstverein Familie Montez, Frankfurt
Multiples & co, Villa du Parc, Centre d'art contemporain, Annemasse, France
So machen wir es. Techniken und Ästhetik der Aneignung/That's the way we do it: The Techniques and Aesthetic of Appropriation, Kunsthaus Bregenz, Austria

2010
And so on, and so on, and so on…, Harris Lieberman Gallery, New York
Die Blumen, COCO (Contemporary Concerns), Vienna
Funktionen der Zeichnung, MMK Museum für Moderne Kunst, Frankfurt
Miroirs Noirs/Black Mirrors, Fondation d’entreprise Ricard, Paris
New Frankfurt Internationals: Stories and Stages, Frankfurter Kunstverein and MMK Museum für Moderne Kunst, Frankfurt
Paradise Lost – Holidays in Hell, Centro Cultural Andratx, Andratx/Mallorca, Spain
Permanent Mimesis: An exhibition about Realism and Simulation, Galleria Civica d’Arte Moderna e Contemporanea, Turin
Von A Nach B, Von B Nach P/From A to B, From B to P, Bielefelder Kunstverein, Bielefeld, Germany [itinerary: De A à B, de B à P/From A to B, From B to P, Le Confort Moderne, Poitiers, France]

2009
Best of Kunstraum Innsbruck 2004–2009, Kunstraum Innsbruck, Austria
Bridges and Tunnels, New Jerseyy at Hard Hat, Geneve
My Generation – Gruppe 5, Kunstverein Familie Montez, Frankfurt
On A Clear Day I Can See Forever, Whatspace, Tilburg, The Netherlands
Stutter, Tate Modern, London

2008
Das Piraterie-Problem, Brandenburgischer Kunstverein, Potsdam, Germany
Depositions, Galerie Francesca Pia, Züricch
The Gallery, David Zwirner, New York
The Inevitable Show (reproducing fame), Lewis Glucksman Gallery, Cork, Ireland [organized on the occasion of the touring exhibition The Eternal Now: Warhol and the Factory ’63–’68; published text in catalogue The Eternal Now: Warhol and Film ’63–’68]
Hotel Marienbad 002: Sammlung Rausch, Kunst-Werke Berlin
Karotten und Schweinehals – Deutsche Kunst seit 1995, Oldenburger Kunstverein, Oldenburg, Germany
My Generation – Gruppe 4, Kunstverein Familie Montez, Frankfurt
No Leftovers, Kunsthalle Bern
P2P, Casino Luxembourg
Records Played Backwards, The Modern Institute, Glasgow

2007
9th Lyon Biennale: The History of a Decade that has not yet been named, La Sucriére, Villeurbanne Institute of Contemporary Art, Bullukian Foundation, and Musée d'art contemporain de Lyon, Lyon, France
Dependance, Galerie Neu, Berlin
The importance of not being seen, Galerie Isabella Bortolozzi/Café Moskau, Berlin
Kiosk, Artists Space, New York
Outside-In I: there have to be many..., Kunstverein Braunschweig, Germany
Not Right But Wrong, Jet, Berlin

2006
“blows into microphone: It is all right? Voice off mike: It´s all right. Pause. h.f,” Kunsthalle Exnergasse, Vienna
Riss, Lücke, Scharnier A/Rift, Gap, Hinge A, Galerie nächst St. Stephan Rosemarie Schwarzwälder, Vienna
Villa Jelmini: The Complex of Respect, Kunsthalle Bern

2005
Early Work by Gallery Artists, David Zwirner, New York
Été Urbain, Gabriele Senn Galerie, Vienna
Les Grands Spectacles, Museum der Moderne, Salzburg, Austri
Moscow Biennale of Contemporary Art, Lenin Museum, Moscow

2004
Black Friday: Exercises in Hermetics, Galerie Kamm, Berlin
Wiener Linien: Kunst und Stadtbeobachtung seit 1960, Wien Museum, Vienna

2003
Kontext, Form, Troja, Secession, Vienna
zeichnen sprechen schreiben, Galerie Krobath Wimmer, Vienna

Bibliography

KATALOGUE ZU EINZELAUSSTELLUNGEN, KÜNSTLERBÜCHER / SOLO EXHIBITION CATALOGUES, ARTIST BOOKS

2024
How to Make Money As An Artist in the Artworld, Podcast for Schirn Mag

2022
Michael Riedel Volume 1 (2oo4–2o11), Spector, Leipzig

2019
Michael Riedel: Ohne Titel (Museum). Text by Kathrin Elvers-Svamberk, Roland Moenig. Saarlandmuseum, Saarbrücken (exh. cat.)
Michael Riedel: Signetische Zeichnung 1994–1995 / Grafik als Ereignis. Text by Matthias Wagner K, Eva Linhart, Julian Müller, u. a. Buchhandlung Walther König, Köln (exh. cat.)

2017
Michael Riedel: CV. Text by Daniel Baumann, Michael Riedel. Buchhandlung Walther König, Köln (exh. cat.)
Michael Riedel: Fuchs. Edited by Michael Riedel. Koenig Books, London (Artforum Series 4)
Michael Riedel: Muster des Kunstsystems [Wallpapers]. Distanz Verlag, Berlin

2016
Michael Riedel: Poster–Painting–Presentation. Text by Tina Kukielski. David Zwirner Books, New York
Michael Riedel: Besuchte und nicht besuchte Ausstellungen [Einladungen]. Koenig Books, London (exh. cat.)

2015
Michael Riedel: Jacques comité [Giacometti]/Dual air [Dürer]. Edited by Michael Riedel. Koenig Books, London (exh. cat.)
Michael Riedel, Le Box - Fonds M-ARCO, Marseille, France (exh. cat.)

2014
Michael Riedel: Oskar – a novel. Edited by Michael Riedel. David Zwirner, New York/London [revised and expanded edition; originally published in 2003]

2012
Michael Riedel. Kunste zur Text. Edited by Max Hollein and Matthias Ulrich. Texts by Marcel Bugiel and Matthias Ulrich. Schirn Kunsthalle Frankfurt (exh. cat.)
frieze d/e (Summer 2012): 95-99 [ill.] Text by Michael Riedel.

2011
Michael Riedel: The quick brown fox jumps over the lazy dog. Edited by Michael Riedel. David Zwirner, New York [limited edition set of 16 booklets and 16 postcards]
Michael Riedel: Perlstein. Edited by Michael Riedel. Koenig Books, London (Artforum Series 3)

2010
Michael Riedel: The quick brown fox jumps over the lazy dog. Edited by Michael Riedel and Florian Waldvogel. Kunstverein Hamburg [limited edition set of poster, 10 booklets, and 10 postcards]
Michael Riedel: ZéroDeux (CMYK). [limited edition set of 4 bound and printed magazines]

2009
Michael Riedel: Meckert. Edited by Michael Riedel. Verlag der Buchhandlung Walther König, Cologne (Artforum Series 2)

2008
Michael Riedel: Der Meister von Flémalle und Rogier van der Weyden (CMYK). [limited edition set of 4 bound and printed catalogues]
Michael Riedel: Gedruckte und nicht gedruckte Posters (2003 – 08)/Printed and Unprinted Posters (2003- 08)
Edited by Stefan Bidner. Texts by Michael Riedel and Marcel Bugiel. Verlag der Buchhandlung Walther König,
Cologne (exh. cat.) [two volumes]
Michael Riedel: Spike (CMYK). [limited edition set of 4 bound and printed magazines]

2007
Michael Riedel: Frieze (CMYK). [limited edition of 4 bound and printed magazines]
Michael Riedel: Sinnmachen beenden: Saab 95. Edited by Michael Riedel; Text by Marcel Bugiel. Monobuch, Rüsselsheim, Germany
Michael Riedel: SK N E ST SSE .Berlin (exh. cat.) [self-published]

2006
Michael Riedel: Tirala. Edited by Michael S. Riedel. Schlebrügge.Editor, Vienna (Artforum Series 1)

2005
Kühn Malvezzi. Text by Jörg Heiser. Revolver, Frankfurt (exh. cat.) [published on the occasion of the solo exhibition Momentane Monumente at Aedes West, Berlin]
Michael Riedel: Neo. Text by Michael S. Riedel. David Zwirner, New York and Revolver, Frankfurt (exh. cat.)

2004
Michael Riedel: 5. Teil (In a Glass Darkly). Text by Michael S. Riedel. Frankfurt [self-published]
Michael Riedel: Johnson Robert. Texts by Michael S. Riedel and Tobias Rehberger. Revolver, Frankfurt (exh. cat.)
Michael Riedel, Dennis Loesch: Quasi Portikus (False Frieze Art Fair Catalogue). Texts by Michael S. Riedel, Daniel Birnbaum. Revolver, Frankfurt (exh. cat.)
Michael Riedel: Scheissen und Brunzen (Shitting and Pissing). Text by Michael S. Riedel. Revolver, Frankfurt

2003
Michael Riedel: ABC Detroit. Text by Michael S. Riedel. x-15 Verlag [reprinted in 2008 by Monobuch, Rüsselsheim, Germany]
Michael Riedel: Dandy. Text by Michael S. Riedel. Frankfurt [self-published]
Michael Riedel, Dennis Loesch: Oskar. Texts by Michael S. Riedel, Roberto Ohrt, and Daniel Baumann. Silverbridge, Paris (exh. cat.)

2002
Michael Riedel, Marcus Andrew Hurttig: Deutsch-Tedesco. Texts by Michael S. Riedel and Marcus Hurttig x-15 Verlag [reprinted in 2007 by Monobuch, Rüsselsheim, Germany]

2001
Michael Riedel: Christopher Wool. Text by Michael S. Riedel. Frankfurt [self-published]
Riedel, Michael S. “1777,26 DM.” Subtropen no. 5/09 (2001)
Riedel, Michael S. “Automatenstimmen.” Frankfurter Rundschau (August-September 2001) [eight part series]
Riedel, Michael S. “Tausendsiebenhundertsiebenundsiebzig Mark.” Jungle World no. 37/2001 (September 5, 2001)

2000
Blackbox. Text by Michael S. Riedel. Frankfurt [self-published]
Heldenplatz I. Text by Michael S. Riedel. Frankfurt [self-published]
Heldenplatz II. Text by Michael S. Riedel. Frankfurt [self-published]
Riedel, Michael S. “Abschriften.” Büchner no. 8/10/11 2000; 1/3/4/5/6/7/8/9/10/12 2001 [one year column published monthly]

1999
Artforum. Frankfurt [self-published]
Velvet Years. Frankfurt [self-published]

KATALOGE AUS GRUPPENAUSSTELLUNGEN (AUSWAHL) / GROUP EXHIBITION CATALOGUES (SELECTIONI)

2015
Individual Stories. Collecting as Portrait and Methodology. Kunsthalle Wien, Vienna and Sternberg Press, Berlin (exh. pub.)

2014
Unendlicher Spaß/Infinite Jest. Verlag für moderne Kunst, Vienna (exh. cat.)

2012
Made in Germany Zwei. Sprengel Museum Hannover. (exh. cat.)

2011
So machen wir es. Techniken und Ästhetik der Aneignung/That’s the way we do it: The Techniques and Aesthetic of Appropriation. (exh. cat.)

2010
Permanent Mimesis: An exhibition about Realism and Simulation. (exh. cat.)
Riss, Lücke, Scharnier A/Rift, Gap, Hinge. Scheidegger & Spiess, Zürich (exh. cat.)
Von A Nach B, Von B Nach P (From A to B, From B to P). Bielefelder Kunstverein, Bielefeld, Germany (exh. bro.)

2008
The Eternal Now: Warhol and the Factory ’63–’68. Cornerhouse Publications, Manchester (exh. cat.)

2007
9th Lyon Biennale: The History of a Decade that has not yet been named. (exh. cat.)

2005
Dialects of Hope: Moscow Biennale of Contemporary Art. Artchronika, Moscow (exh. cat.)
Les Grands Spectacles: Jahre Kunst und Massenkultur/120 Years of Art and Mass Culture. Hatje Cantz Verlag, Ostfildern, Germany (exh. cat.)

AUSGEWÄHLTE BIBLIOGRAPHIE / SELECTED BIBLIOGRAPHY

2016
Laster, Paul. “Weekend Edition: 12 Things to Do in New York’s Art World Before February 29.
Talk and Book Launch: ‘Guided Tour & Book Signing with Michael Riedel’ at David Zwirner.” observer.com (February 25, 2016) [ill.] [online]
Liberty, Megan N. “Michael Riedel, David Zwirner.” Afterimage 43, no. 6 (May-June 2016): 26-27 [ill.]
Unruh, Rainer. “Michael Riedel. ‘Besuchte und nicht besuchte Ausstellungen (Einladungen 1997-2015),’ Kunstverein Braunschweig, 5.12.2015 - 14.2.2016.” kunstforum.de (February 1, 2016) [ill.] [online]

2015
Bertoli, Rosa. “Welcome invitation: Michael Riedel at Kunstverein Braunschweig.” wallpaper.com (December 17, 2015) [ill.] [online]
Lucien, Herve. “Les Coups de Coeur Culture de Fiona Walden: Le Box (4).” ELLE France (June 12, 2015): 8 [ill.]

2014
Criqui, Jean-Pierre. “Michael Riedel.” Les Cahiers no. 128 (2014): 3-23 [cover] [ill.]
Frankel, Eddy. “Michael Riedel: Laws of Form.” Time Out London 2276 (May 6-12, 2014): 65 [ill.]
Hartvig, Nicolai. “Times tables.” Wallpaper* (April 2014): 201-202 [ill.]
Rompel, Adam. “Michael Riedel: Laws of Form at David Zwirner, London. ” dailyserving.com (May 2014) [online] [ill.]
Tallman, Susan and Michael Ferut. “Screenprint 2014.” Art in Print (February 2015): 4, 9 [ill.]
Wooldridge, Duncan. “London Round-up 1.” Art Monthly (May 2014): 29-30
“German art in London: meet Michael Riedel.” culturewhisper.com (April 2014) [ill.] [online]“Type Cast.” Wallpaper* (March 2014): 168-179 [cover] [ill.]

2013
Bodin, Claudia. “Meister der Zwischenräume.” art-magazin.de (February 28, 2013) [ill.] [online]
Campbell-Dollaghan, Kelsey. “Making Art from Other Art, Using Microsoft Powerpoint.” fastcodesign.com (March 15, 2013) [ill.] [online]
Halperin, Julia. “For Michael Riedel's Show at David Zwirner, the Invitations Are Artworks Too.” artinfo.com (February 12, 2013) [ill.] [online]
Halperin, Julia. “The Next Most Collectible Artists.” Art + Auction (June 2013): 131 [ill.]
Murg, Stephanie. “Did Michael Riedel Just Make Microsoft’s PowerPoint Cool?” whitewall.com (February 20, 2013) [ill.] [online]
Schmolka, Katja. “Zip Talk; PowerPoint Michael Riedel About the Gap Between Spaces.” zip-magazine.com (February 28, 2013) [ill.] [online]
Warren, Tamara. “Visual Artist Michael Riedel Speaks on ‘PowerPoint’ Art Exhibit.” lifeandtimes.com (February 26, 2013) [ill.] [online]

2012
Alk, Nell. “Keep Your Eyes On Frankfurt Artist Michael Riedel.” societeperrier.com (March 14,    2012) [ill.] [online]
Alk, Nell. “My Five Favorite Things: Michael Riedel.” societeperrier.com (March 16, 2012) [ill.][online]
Benzer, Christa. “Vorzugsweise Drucksachen.” Der Standard (January 11, 2012): 12 [ill.]
Bodin, Claudia. “Tapetenwechsel.” art-magazin.de (March 9, 2012) [online]
Cerizza, Luca. "Digital Dandy." frieze d/e (Summer 2012): 88-94 [ill.]
Corbett, Rachel. “Armory Show 2012.” artnet.com (March 2012) [online]
Drumm, Perrin. “Report from The Armory Show: Michael Riedel at David Zwirner.” core77.com (March 12, 2012) [ill.] [online]
Elsing, Sarah. “Preview: Michael Riedel.” Monopol (June 2012): 127, 129 [ill.]
Fisher, Adam. “The Copycat.” T: The New York Times Style Magazine (May 6, 2012): 51-52, 54 [ill.]Gemmell, Grace-Yvette. “The German artist Michael Riedel, who had a star turn at the Armory Show, everything he sees has art potential.” capitalnewyork.com (March 14, 2012) [ill.] [online]
Goodman, Daniel and Julie Zeveloff. “20 Things You Need to See at New York’s Biggest Art Show This Weekend.” businessinsider.com (March 7, 2012) [ill.] [online]
Göpfert, Claus-Jürgen. “Göpferts Runde: Michael Riedel Stil der Provokation.” fr-online.de (Frankfurter Rundschau) (June 14, 2012) [ill.] [online]
Halperin, Julia and Benjamin Sutton. “After ADAA Sell-Out, David Zwirner’s Armory Booth Sold Out in 30 Minutes.” artinfo.com (March 7, 2012) [ill.] [online]
Hierholzer, Michael. “Schirn-Ausstellung 'Kunst zur Text': In der Endlosschleife des Betriebs.” faz.net (Frankfurter Allgemeine Rhein-Main) (June 17, 2012) [ill.] [online]
Kuhn, Thomas W. “Neuanfang am Hudson River.” taggesspiegel.de (March 10, 2012) [online]
Lorenz, Julia. “Warhol vom Main.” Welt Kompakt (June 12, 2012): 16 [ill.]
Miller, Michael H. “At Armory Week, David Zwirner Sells Out (So to Speak).” galleristny.com (March 7, 2012) [ill.] [online]
Murg, Stephanie. “Michael Riedel Uses Photo Wallpaper to Supersize David Zwirner’s Armory   Show Booths.” mediabistro.com (March 8, 2012) [ill.] [online]
Nadjibi, Sohra. “Copy NO Paste: Michael Riedel in der Schirn.” Frizz (June 2012): 24-25 [ill.]
Raab, Harald. “Reizvoller Medienwechsel.” Handelsblatt (July 27-29, 2012): 67 [ill.]
Raether, Elisabeth. “Wochenmarkt: Es ist Erbsenzeit.” Zeit Magazin (June 14, 2012): 38
Reddy, Sameer. “An Art Fair's Online Gamble.” The Wall Street Journal (February 29, 2012): A23, A29 [ill.]
Reddy, Sameer. “Word Up.” Sleek 34 (Summer 2012): 30-31 [ill.]
Schjeldahl, Peter. “All Is Fairs.” The New Yorker (May 7, 2012): 32-36
Schreiber, Susanne. “Kaufimpulse aus Köln.” Handelsblatt (April 20-22, 2012): 82-83
Schwarz, Nico. “Lust auf mehr.” Neue Zürcher Zeitung (April 21, 2012): 21
Sorenson, Oli. “Flirting with Death: Dispatches along 19th to 21st Century Painting.” esse no. 76 (Autumn 2012): 4-11 [ill.]
Trommer, Vivien. “New York vibriert.” schirn-magazin.de (March 12, 2012) [ill.] [online]
Vogt, Jacqueline. “Ambiente per Nummer.” Frankfurter Allgemeine Sonntagzeitung (April 15,2012): R2
Vroom, Chris. “10 Art Fairs, 300+ Exhibitions? Here Are 15 Must-See Installations On View This Week.” huffingtonpost.com (March 7, 2012) [ill.] [online]
Warren, Tamarra. "The Armory Show: Michael Riedel at David Zwirner." forbes.com (March 8,   2012) [ill.] [online]
Weber, Grit. “Copy & Paste.” Journal Frankfurt (June 18-21, 2012): 8-9 [ill.]
Weber, Grit. “Talk to Exist: The Running Wheel of Communication.” RES (November 2012): 36-46 [ill.]
Wetzler, Rachel. “The Frozen City.” idiommag.com (March 17, 2012) [ill.] [online]
Wolff, Rachel. “Back to Basics.” Art +Auction (March 2012): 86 [ill.]
Wolters, Dierk. “Da haben wir den Buchstabensalat.” Frankfurter Neue Presse (June 16, 2012): 1 [ill.]
“Ausstellung über Ausstellungen.” Rhein-Main Zeitung (June 9, 2012): 48 [ill.]
“Ich hätte locker die Schirn allein bespielt.” Art und Weise (Frankfurter Rundschau) (June 16-17, 2012): 8-9 [ill.]
“Michael Riedel liebt den Prozess mehr als das Produkt.” welt.de (June 13, 2012) [online]

2011
Aubart, François. “Introducing Michael Riedel.” Artpress (April/May 2011): 37-39 [ill.
Chapman, Alex. “Michael Riedel's Internet-y Exhibit, ‘The Quick Brown Fox Jumps Over The
Lazy Dog.’” papermag.com (March 11, 2011) [ill.] [online]
Day, Karen. “The Quick Brown Fox Jumps Over the Lazy Dog.” coolhunting.com (February 17, 2011) [ill.] [online]
Desmet, Nathalie. “Michael Riedel.” esse no. 71 (Winter 2011) [ill.]Miller, Leigh-Anne. “Original Copycat: Michael Riedel.” artinamericamagazine.com (February 7, 2011) [ill.] [online]
Rappolt, Mark. “Monograph: Perlstein.” Art Review (December 2011): 143 [ill.]
Schmolka, Katja. “Interview with artist Michael Riedel at David Zwirner Gallery, New York.” zip-magazine.com (March 11, 2011) [ill.] [online]“Critics’ Picks.” Time Out New York (February 17-23, 2011): 47 [ill.]
“Marcel Dzama and Michael Riedel at David Zwirner NYC.” juxtapoz.com (March 11, 2011) [ill.][online]

2010
Aubart, François. “Lorem ipsem: On Michael Riedel’s Transcripts.” 02 (Summer 2010): 37-48[cover] [ill.]
Mindt, Frida. “Michael Riedel: Kunstverein Hamburg.” art-magazin.de (July 16, 2010) [ill][online]
Wehr, Anne. “The Best of Gallery Week.” Time Out New York (May 8, 2010) [ill.]

2008
Crüwell, Konstanze. “Bildnis einer jungen Frau in Rot, Gelb, Blau.” Frankfurter Allgemeine Zeitung (December 15, 2008): B4
Draxler, Saskia. “Picks Berlin: Michael Riedel.” artforum.com (July 3, 2008) [ill.] [online]

2007
Bair, Callen. “Figure Painting: Reflections on Frieze.” portfolio.com (October 14, 2007) [online]
Bair, Callen. “Figure Painting: What Do Detroit and London Have in Common?” portfolio.com(October 17, 2007) [online]
Brüggeller, Moni. “Die Anachronie einer Provokation.” Kronenzeitung (January 19, 2007): 29 [ill.]
Jelcic, Ivona. “Abwesenheitsnotiz.” Die Neue (January 19, 2007): 49
Samman, Nadim. “All This Art is Driving Me Crazy.” The Art Newspaper/Frieze Art Fair Daily (October 12, 2007): 8 [ill.]
Schlocker, E. “Original und Plagiat.” Tiroler Tageszeitung (January 23, 2007): 13 [ill.]
“Tirol: Der Grobe Imitator.” Der Standard (January 19, 2007): 29
“Tirol: Zum Durchblick.” Der Standard (February 10-11, 2007)

2006
Coulson, Amanda. “Michael S. Riedel/Achim Lengerer.” Modern Painters (June 2006): 120 [ill.]
Leffingwell, Edward. “Michael S. Riedel at David Zwirner.” Art in America (March 2006): 15 [ill.]

2005
Birnbaum, Daniel. “Michael S. Riedel.” Artforum (October 2005): 262-263 [ill.]
Chevalier, Catherine. “Michael S. Riedel, Foire de Bâle, Juin 2006.” Frog no. 4 (Autumn 2005/Winter 2006): 72-75 [ill.]
Danicke, Sandra. “Künstler-Portrait Michael S. Riedel.” Art Kaleidoscope (January 2005): 14-16
Danicke, Sandra. “Perspektive: Glänzend!” ART das Kunstmagazin (October 2005): 14-15
Gawlik, Goschka. “Imitate des Abwesenden.” artmagazine (November 11, 2005)
Smith, Roberta. “Art Promoted Heavily (Even in Your Mailbox).” The New York Times (November 12, 2005)
Sturtevant and Michael S. Riedel. “Copyright.” Wrong Times (2005)
“David Zwirner: Michael S. Riedel.” Time Out New York (November 24-30, 2005): 114
“Michael S. Riedel.” New York Magazine (November 28, 2005): 159

2004
Birnbaum, Daniel. “Best of 2004: 13 Top Tens.” Artforum (December 2004): 160-161
Birnbaum, Daniel. “Sampling the Globe.” Artforum (October 2004): 240-244, 296, 298
Donnelly, Trisha. “Top Ten.” Artforum (March 2004): 84-85

2003
Probst, Ursula Maria. “Einer für alle, alle für einen.” artmagazine (September 24, 2003)

2002
“Scheißen und Brunzen.” Texte zur Kunst no. 48 (2002)

2001
Probst, Ursula Maria. “Christopher Wool Um die Ecke gelesen.” artmagazine (September 26, 2001)