Galerie Nagel Draxler

Josephine Pryde

Biography

JOSEPHINE PRYDE

geboren / born 1967 in Alnwick, England
lebt und arbeitet / lives and works in Berlin

AUSBILDUNG / EDUCATION

1986-1989   Central St. Martins, London
1985-1986   Wimbledon School of Art, London

LEHRTÄTIGKEIT / TEACHING

since 2008   Professor for Contemporary Photography, University of the Arts, Berlin
2006-2008   Guest Professor, Academy of Fine Arts, Vienna
2006-2007   Dorothea Erxleben Stipendium Stipendium, Hochschule für Bildende Künste, Braunschweig
2003   Guest Professor, Klasse für Kunst und Photographie, Akademie der Bildenden Künste, Wien

WERKE IN ÖFFENTLICHEN SAMMLUNGEN / WORKS IN PUBLIC COLLECTIONS

The Metropolitan Museum of Art, New York, NY, US
MOCA, Los Angeles, CA, US
Stedelijk Museum, Amsterdam, NL
British Council, UK
Fonds national d’art contemporain, France

EINZELAUSSTELLUNGEN / SOLO EXHIBITIONS

2019
“Is it coping, how adapting”, A Certain Lack of Incoherence, Porto, PT.

2018
“In Case My Mind Is Changing”, Simon Lee Gallery, London, UK.

2017
“Traces of Accessibility”, Goton, Paris, FR (with Marilyn Thompson).

2015
“Lapses in Thinking By the person i am”, CCA Wattis, San Francisco, CA; Institute of Contemporary Arts, University of Pennsylvania, PA, US.

2014
“These Are Just Things I Say, They Are Not My Opinions”, Arnolfini, Bristol.
“Knickers, Berlin”, Galerie Temnikova & Kasela, Tallin.

2013
“Frau Prüde zu Dr. Loch und Frau Sxxxx zu Dr. Ernst”, Galerie der Stadt Schwaz, Schwaz.

2012
“Night Out”, Simon Lee Gallery, London.
“Miss Austen Still Enjoys Photography”, Kunsthalle Bern, Bern.
“Miss Austen Enjoys Photography”, Kunstverein für die Rheinlande und Westfalen, Düsseldorf.

2011
“Embryos and Estate Agents: L´Art de Vivre”, Chisenhale Gallery, London.

2010
“Therapie Thank You Thank You”, MD72, Berlin.
“Therapie Thank You”, Reena Spaulings Fine Art, New York.

2009
“La Vie D´Artiste”, Richard Telles Fine Art, Los Angeles.

2008
“How They Met – Part 1: Mother and Her House”, (mit Sarah Staton), Galerie Bleich-Rossi, Wien.
“How They Met -Part 2: Sex”, (mit Sarah Staton), Gabriele Senn Galerie, Wien.

2007
“Hollow Inside”, Galerie Neu, Berlin.

2006
“Maids & Magnetism”, Reena Spaulings Fine Art, New York.

2004
“Valerie”, Secession, Wien (Katalog).
“Brute”, Reena Spaulings Fine Art, New York.
“Things Without Futurism”, Galerie Christian Nagel, Köln.
“Brains & Chains”, Cubitt, London.
Xavier Hufkens Galerie, Brüssel.

2002
“Der Vogel des Jahres ist der gemeine Spatz oder Haussperling”, Galerie Meerrettich, Berlin.
“Metalltanz”, mit Michael Krebber, Steirischer Herbst, Galerie Bleich-Rossi, Graz.
“Costume”, Galerie Neff, Frankfurt.
“Felicity / The Pre-Empted”, mit Katharina Wulff, Galerie Neu at Cabinet, London.

2001
“The Hands”, The New Art Center, Salisbury.
“6 a.m Summer 201″, Galerie Neu, Berlin.
“Serena”, Kunstverein Braunschweig, (Katalog).
Galerie Gabi Senn, Wien.

2000
“Honour, without money, is just a disease”; Succesion, London.
“Marooned”, Galerie Christian Nagel, Köln.

1997
“Vicinage”, Galerie Christian Nagel, Köln.

1996
Galerie Neu, Berlin.

1995
“Persuasion”, Galerie Neu, Berlin.

GRUPPENAUSSTELLUNGEN / GROUP EXHIBITIONS

2019
“Forms Larger and Bolder”, mumok, Wien, AT.
“Die Bucklige Verwandtschaft”, Galerie Nagel Draxler, Cologne, DE.
“Maskulinitäten”, eine Kooperation von Bonner Kunstverein, Kölnischem Kunstverein und Kunstverein für die Rheinlande und Westfalen, Düsseldorf, DE.
“Encore”, Miguel Abreu Gallery, New York, NY, US.
“Objects Recognized in Flashes”, mumok – Museum Moderner Kunst Stiftung Ludwig Wien, Vienna, AT.
“New Order. Art and Technology in the Twenty-First Century”, The Museum of Modern Art (MoMA), New York, US.
“Passer-by”, Fondation d’entreprise Galeries Lafayette, Paris, FR.

2018
“Swingers”, Greene Naftali, New York, US.
“The Vitalist Economy of Painting”, curated by Isabelle Graw, Galerie Neu, Berlin, DE.
“Personal Data Hack”, Industrial Society and Its Futures, Berlin, DE.
“Optik Schröder II”, mumok – Museum Moderner Kunst Stiftung Ludwig Wien, Vienna, AT.
“Faithless Pictures”, Nasjonalmuseet, Oslo, NO.

2017
“Subjektiv”, Malmö Konsthall, Malmö, SE.

2016
“Turner Prize 2016″, Tate Britain, London, UK.
“30 Years Kunsthalle Bern Foundation: A selection of the collection”, Kunsthalle Bern, CH.
“THE GEO POLITICS OF MONETIZED AIRSPACE – Come Fly with Me, I Meet you by the Airside Gucci Concession at 4, Fox Fur Hat”, Midway Contemporary Art, Minneapolis, MN, US.
“Response”, Musée d‘art contemporain des Laurentides, SaintJerome, Quebec, CA.
“The Highs of Everyday Life”, Reena Spaulings Fine Art, New York, NY, US.
“Das Loch”, Künstlerhaus Bremen, Bremen, DE.
“La Collection Thea Westreich Wagner et Ethan Wagner”, Whitney Museum of American Art, New York, NY, US and Centre Pompidou, Paris, FR.
“How We Live and How We Might Live”, curated by Matthew Richardson & Anna Susanna Woof, LDN, London, UK.
“Unangenehme Gefühle I”, ACUD Macht Neu, Berlin, DE.
“ich, du, er/sie/es”, Kunstverein Leipzig, Leipzig, DE.
“wir, ihr, sie”, Kunstverein Leipzig, Lepizig, DE.
“The 9th Berlin Biennale for Contemporary Art”, The Feuerle Collection, Berlin, DE.

2015
“FIND YOUR BEACH,” KURATOR – Gebert Stiftung für Kultur, Rapperswil, CH
“Windows Hung With Shutters”, RaebervonStenglin, Zurich, CH
“Faux Amis”, Simon Lee Gallery, London, UK
“International Photography Exhibition Gjon Mili 2015″, National Gallery of Kosovo,
XK
“Animal Photographers”, Acud Macht Neu, Berlin, DE
Triennial of Photography Hamburg: “The Day Will Come – When Photography Revises”, Kunstverein in Hamburg, DE.
“Container and Contained”, Künstlerhaus Stuttgart, Stuttgart, DE
“Land’s End”, Bodega, New York, NY, US

2014
“Die Marmory Show”, Deborah Schmoni Galerie, München.
“Ordinary freaks. Das Prinzip Coolness in Popkultur, Theater und Museum”, Halle für Kunst und Medien, Graz.
“One Shots and Imagines”, Downtown Photoroom, Los Angeles.
“curated by_vienna 2014, The Century of the Bed”, Galerie Emanuel Layr, Wien.
“Theatre and Museum”, Kunstlerhaus, Graz, Austria.
Galerie Neu a La Douane, Galerie Chantal Crousel, Paris, France
“@ the shrink”, Shanaynay, Paris.
“je suis féministe”, Unit 21,Penarth Centre, London, UK.

2013
“Xerogrpahy”, Firstsite, Colchester.
“The Door Between Either And Or Part 1″, Kunstverein München, München.
“New Photography 2013: Adam Broomberg and Oliver Chanarin, Brendan Fowler, Annette Kelm, Lisa Oppenheim, Anna Ostoya, Josephine Pryde, Eileen Quinlan”, MoMA, Museum of Modern Art, New York.
“Better Homes”, Sculpture Center, New York.
“Photography now and forever”, Mathew, Berlin.
“Kappen”, Hard Hat, Geneva.
“XoXo”, Nicht Gallery, Los Angeles.
“Counter-Production (Part 2)”, The Swedish Contemporary Art Foundation, Stockholm.
“Textiles: Open Letter”, Städtisches Museum Abteiberg, Mönchengladbach.
“Photographs You Take”, The Schtip, Sheffield.
“Festival der Kleinskulptur”, Halle für Kunst, Lüneburg.

2012
“Counter-Production”, Generali Foundation, Wien.
“KEINE ZEIT. Erschöpftes Selbst / Entgrenztes Können”, 21er Haus, Wien.
“Now I am Quietly Waiting For The Catastrophe Of My Personality To Seem Beautiful Again, And Interesting, And Modern”, Bortolami Gallery, New York, NY

2011
“MAKING AND ART”, curated by Cosima Rainer with Anna Artaker and Christopher Meier, Stadtgalerie Schwaz, Tirol.
“Andreas Lærum´s Private Collection of Art”. Bunker Almely, Asker.
“FIlms & Filming”, organised by David Lieske, Bischoff Projects, Frankfurt am Main.
“the Avantgarde: Madame Realism”, Marres Centre for Contemporary Culture, Maastricht.

2010
“curated by_vienna 2010: Albert Oehlen”, Galerie Mezzanin, Wien.
“Old Ideas”, kuratiert von Silberkuppe, Kunstmuseum Basel/Museum für Gegenwartskunst, Basel.
“Filmschönheit. Curated by Albert Oehlen”, Galerie Gisela Capitain, Köln.

2009
“PALINDROM. Oben und unten mit Rex Whistler & Friends”, Hermes und der Pfau und W.O. Scheibe Museum, Stuttgart.
“Relax”, MD72, Berlin.
“Olga Chernysheva & R.H. Quaytman & Josephine Pryde”, Contemporary Art Museum, St. Louis.
“Instant Melancholia”, Raum 121, Frankfurt.
“The Front Room”, Contemporary Art Museum, St. Louis.

2008
“Buy No Wino Buy Lino By Bono”, Hats Plus, London.
“Archeology of Mind – Morra Grcos Fondation”, Fondazione Morra Greco, Neapel, Malmö Konstmuseum, Malmö, Kuntsi, Modernin taiteen museo, Vaasa.
“Medien”, CUC Charim Ungar Contemporary, Berlin.
“Madonna und wir”, Galerie Christian Nagel, Berlin.
“L’Argent”, Frac Ile-de-France”, Paris.
“Zodiac 3000″, International Project Space, Birmingham.
“Photography on Photography: Reflections on the Medium since 1960″, Metropolitan Museum, New York.

2007
“Angelegenheiten, die sich daraus ergeben”, Künstlerhaus Bremen.
“Imagine Action”, Lisson Gallery, London.
A Year-In-Review-Lamp-Installation (by Galerie Meerrettich), Vilma Gold, London.
“The Enforced Dress”, Nordösterreichisches Kunstraum, Wien.
“Ref. Nadar Ahrimin, Matthew Ahnriman, Jonas Mekas, Jonathan Monk, Josephine Pryde, David Wojnarowicz”, unosunove, Rom.
“Various Small Fires”, Royal College of Art Galleries, London.
“Make Your Own Life: Artists In & Out of Cologne”, Henry Art
Galllery/University of Washington, Seattle; Museum of Contemporary Art, North Miami, Florida.
“Dorothea 2005-2006″, Hochschule für Bildende Künste Braunschweig.

2006
“Concrete sausage and other team ghosts”, after the butcher”, Berlin
“Make Your Own Life: Artists In & Out of Cologne”
Institute of Contemporary Art/University Pennsylvania; The Power Plant, Toronto.
“Optik Schröder. Werke aus der Sammlung Schröder”, Kunstverein Braunschweig, Braunschweig.
“Beware of a Holy Whore”, Galerie Chatal Crousel, Paris.
“The Dimes of March”, Reena Spaulings Fine Art, New York.

2005
“The Top Room : A Retrospective” , CHELSEA space, London
“Artists’ Books, revisited” , curator Matthias Herrmann, Art Metropole, Toronto And Printed Matter, New York.
« Temporary Import », curator Susanne Titz, Art Forum Berlin
“Été Urbain”, Galerie Gabriele Senn, Wien.
“Criticism Celebration”, Galerie Karin Guenther/Nina Borgmann, Hamburg, curator David Bussel.

2004
“Sommerfotogruppenausstellung – Telepathy Curating”, Galerie Merrettich, Berlin.
Galerie Rauhfaser, Hamburg.

2003
“favorites +”, Fortlaan 17, Gent.
“Was Sie immer über Sex wissen wollten”, Galeria Academia, Salzburg.
“Zimmer aufräumen, Zupfgeigenhansel kommt!”, Aula der Hochschule für Bildende Künste Hamburg.

2002
“Museutopia”, Karl-Ernst Osthaus Museum, Hagen.

2001
“What´s Wrong”, The Trade Apartment, London.
“Works on Aluminium Selected by Paper”, White Cube, Bergen.
“Charisma”, Stand, Glasgow Kunstmesse.
“Jewels-in-Art”, Galerie Bleich-Rossi, Graz (Katalog).

2000
“Walk 2000″, Succession, London.
“Coal By Any Other Name: The Journey Towards The Good Taste”, American Fine Arts Co. Ltd, New York.
“Telescopic Memories”, Orbit House, London.
“Cheated, A22 Projects”, 22 Laystall Street, London.
“21st Gear”, The Top Room, London.
“Hey, International Competition Style!”, TENT, Rotterdam.

1999
“space”, Witte de With, Rotterdam (Katalog: From #1).

1998
“Summary”, Galerie Hoffmann und Senn, Wien.
“A to Z”, the approach, London.
“Fast Forward Image”, Kunstverein Hamburg.

1997
“Glockengeschrei nach Deutz”, Daniel Buchholz, Köln.(Katalog).
“La Saison II”, Neu, Berlin.

1995
“Photoworks”, The Economist Building, London.

1994
“Total Football”, Old Knows Gallery, Nottingham.

1992
Trial Balloon, New York.
“Radio Show, Unrealized Projects”, Four Walls in Artists Space, New York.

1991
“Inaugural Show”,Trial Balloon, New York mit Nicola Tyson, Sarah Staton, Siobhan Liddell.
“The Archaeology of Silence”, 147 Hornsey Road N7, London (Katalog).

1989
“Performance as part of Audio Arts Placement and Recognition”, MOMA, Oxford.

TEXTE VON JOSEPHINE PRYDE / TEXTS BY JOSEPHINE PRYDE

2005 “It’s Beyond My Control, Merlin Carpenter at Kunsthall Bergen”, in: Texte zur Kunst Nr. 58, S. 175-180.

2003
“Dream On. Die Politik des Tagtraums”, in: Texte zur Kunst, Nr. 52, Dez. 2003, S. 86-92.

2001
“In My Solitude”, (Steven Meisel, “Four Days in L.A. The Versace Pictures), in: Texte zur Kunst, Nr. 44, Dezember 2001, S. 189-194.
“Blue Period”, (Sarah Staton, Anti-paintings), Art Lab, London, 2001.
“DIAL”, Sumer Issue, Herausgeberin: New School Online University, The New School University, New York, www.dialnsa.edu/magaz.9 htm.
“Inside this Horizon”, in: Made in USA, Nr. 3, 2001, S. 76

2000
“10 x 10 Ausstellungen”, Texte zur Kunst, Nr. 40.
“In circulation”, (Sarah Morris), in: Twisted Urban and Visonary Landscapes in Contemporary Painting, Van Abbe Museum, Eindhoven 2000, S. 45-47.
“Erste Schritte”, (Michael Clark Company, current/SEE), in: Texte zur Kunst, Nr. 39, September 2000, S. 64-70.
“Merlin Carpenter at Secession, Vienna”, in: Modern Painters, Vol. 13, No.2, Sommer 2000, S. 52..
“What Do You Want To Do With Your Spade?”, in: “Cosima von Bonin, The Cousins”, Kunstverein Braunschweig 2000, S. 25-27.
“Fabienne Audéoud De-learning the piano”, in: “Work and Leisure International”, Trice publication (Ed.), Manchester 1999 (catalogue).

1999
Sarah Staton, “blue jeans”, London, Texte zur Kunst No.36.
Jane & Louise Wilson in der Serpentine Gallery, London, Texte zur Kunst Nr. 36.
Besprechung von Sarah Morris in Oxford MOMA, Texte zur Kunst Nr. 35.
“Grenzmarken”, (Fareed Armay, “From/To”), Texte zur Kunst Nr. 34, Juni/Juli 1999, S. 197-201.
“Key Debates”, Everything 3.2.
Shortcuts “Baustop.Randstadt, in der NGBK Berlin”, Texte zur Kunst Nr. 32.
“Corporate Chic”, in: Texte zur Kunst, Nr. 35, September 1999,
S. 306-311.

1998
“Katharina Wulff”, Kunstverein Bremerhaven 1998 (catalogue).

1997
“Discovering an Innate Sense”, in: Texte zur Kunst Nr. 25, März 1997, S. 63-71.

1995
“Standbesprechung: Michael Krebber bei Christian Nagel”, in: Texte zur Kunst Nr. 19, August 1995, S. 131-133..

1993
“;Writing out of my armpit”, in: Texte zur Kunst Nr. 11, September 1993, S. 188-192.

1990
“Tracking Zones”, Text- und Photobuch, moo.shwär´roo ltd (Hrsg), 1990.

Bibliography

Books:
Photography at MoMA 1960 – Now, Moma, New York, NY, US (2016)
Contemporary Art Germany, Austria and Switzerland, Black Dog Publishing,
London, UK (2015)
M. Krebber, D. Baumann, Artists’ Books Revisited, Art Metropole, Toronto, CA (2005)
B. Marl, From #1, Witte de With, Rotterdam, NL (1999)
j. Pryde, Tracking Zones, moo.shwär’ roo ltd. (1990)

Catalogues:
Turner Prize 2016, Linsey Young and Laura Smith, Tate Britain, London, UK (2016)
Thea Westreich Wagner et Ethan Wagner II The Collection, Centre Pompidou,
Paris, FR (2016)
The Enjoyment of Photography, Kunsthalle Bern, CH (2015)
Zodiac 3000, Dr. Robert Laing and Karen Novotny, International Project Space, Birmingham, UK (2008)
Various Small Fires, Royal College of Art, London, UK (2007)
The Enforced Dress, Kunstraum Niederoesterreich, Vienna, AT (2007)
Make Your Own Life, ICA Philadelphia, PA, US (2006)
Artists’ Books Revisited, publisher Art Metropole (2005)
The Top Room, publisher Jeremy Glogan, Chelsea Space, London, UK (2005)
Valerie, Secession, Vienna, AT (2004)
Serena, Kunstverein Braunschweig, DE (2001)
Jewels-in-Art, publisher Galerie Bleich-Rossi, Graz, AT (2001)
Glockengeschrei nach Deutz, publisher Cosima von Bonin, Daniel Buchholz, Christopher Mueller (1997)
The Archaeology of Silence, publisher Monika Oechsler (1991)

Other publications:
It’s Beyond My Control, Merlin Carpenter at Kunsthall Bergen, Texte zur Kunst Nr. 58, pp 175-180 (2005)
Dream On: The Politics of Daydreaming, Texte zur Kunst Nr.52 (2003)
Steven Meisel, Four Days in LA:The Versace Pictures, Texte zur Kunst No.43 (2001)
Editor, DIAL, Summer issue, New School Online University, The New School University, New York, www.dialnsa.edu/magaz9.htm
Inside this Horizon, Made in USA No. 3 (2001)
10x10 Ausstellungen, Texte zur Kunst No. 40 (2000)
current/SEE by the Michael Clark Company, Texte zur Kunst No. 39 (2000)
Merlin Carpenter at Secession, Vienna, Modern Painters Vol.13, No.2 (2000)
Sarah Staton 'blu jeans', London, Texte zur Kunst No.36 (1999)
Jane & Louise Wilson at the Serpentine Gallery, London, Texte zur Kunst No. 36 (1999)
Sarah Morris at Oxford MOMA, Texte zur Kunst No. 35 (1999)
Grenzmarken - review of Fareed Armaly's exhibition "From/To", Texte zur Kunst No. 34 (1999)
Key Debates, Everything 3.2 (1999)
Shortcuts: Baustop.Randtstadt, Texte zur Kunst No. 32 (1999)
Discovering an Innate Sense, Texte zur Kunst No. 25 (1997)
Stand review: Michael Krebber at Christian Nagel, Texte zur Kunst No. 19 (1995)
Writing out of my armpit, Texte zur Kunst No. 11 (1993)

PERIODICA

2017
M. Lübbke-Tidow, »How Does Art Act in Crisis? Togetherness and Friendship as
Artistic Concept«, in: Zivot umjetnosti, No. 100, Zagreb

2016
»Can the Entrepreneurial Self Tweet? An Interview with Ulrich Böckling«, in:Texte zur Kunst (December)
A. Klein, »Josephine Pryde«, in: Aperture Magazine (Winter)
M. Collins, »Turner Prize 2016, review: the four contenders have efficiently captured arts‘ current mood“, in: The Eveneing Standard (28 September)
A. Searle, »Turner Prize 2016 exhibition review – bleak and baffling, but no bum deal«, in: The Guardian (26 September)
M. Brown, »Runners but no riders line up for the Turner Prize show«, in: The Guardian (26 September)
»Turner Prize exhibition opens with giant buttocks, brick suit and train«, BBC News (26 September)
J. Pryde, »The New Look: Art and Fashion Photography«, in: Artforum (Vol 54, No. 9, May)
L. owen Rowlands, »Beheaded by iOS: filter bubbles and the feminine touch in the photography of Josephine Pryde«, in: TANK Magazine (Spring)
H. McGivern, »Female Artists - and Sculpture – Dominate Turner Prize Shortlist«, in: The Art Newspaper (12 May)
K. Wright, »Being Slippery and Perplexing is not enough, it’s Time to Reinvent the Turner Prize«, in: The Independent (12 May)
M. Brown, »Turner Prize 2016 Shortlist Features Buttocks, Sculpture and ChooChoo Train«, in: The Guardian (12 May)

2015
J. Griffin, » Josephine Pryde: Lapses in Thinking by the Person I am«, in: Art Review (Summer)
E.C. Feiss, »Container and Contained«, in: Frieze d/e (June/August)
L. Lutz, »A Freight Train to Depersonalize Objects«, in; SFAQ (11 June)
A. French, »Josephine Pryde: These Are Just things I Say, They Are Not My Opinion«, in: Photomonitor (27 January)

2014
Robert Clark, »Josephine Pryde. Bristol«, in: Guardian (15 November)

2013
Corbett, Rachel: »MoMA’S “New Photography” Survey Shows the Medium Morphing Into a New Dimension’«, in: Artspace (13 September)
»Museum of Modern Art’s New Photography 2013 highlights eight contemporary artists’«, in: artdaily (16 September)
Johnson, Ken: »Images Propelled Beyong Pictures’«, in: The New York Times (12 September)
Sutton, B: »Oldest Guinea Pig Portrait Found in the UK ?«, in: Blouin Artinfo (August)
»MoMA’s New Photography 2013 Highlights Eight Contemporary Artists Whose Works Expand the Definition of Photography in the 21st Century«, in: ArtFix daily (July)

2012
Ohnemus, Melanie, »Josephine Pryde: Miss Austen Enjoys Photography«, in: Camera Austria International, 118/2012, p.87
Holert, Tom, »Test Subjects; Tom Holert on the Art of Josephine Pryde«, in: Artforum, April 2012, Front Cover and p. 166 - 176

2011
Hafner, Hans-Jürgen, »Autobiographical Twilight«, in: Spike, No. 28, Summer 2011, p. 72 – 81
Matalon, Rebecca, »Josephine Pryde«, in: Kaleidoscope, Nr. 11, Summer 2011, p. 86
Prince, Marc, »Josephine Pryde« [Review of Therapie Thank You Thank You], in: Flash Art, March/April 2011, p. 127

2010
Fox, Dan, »Josephine Pryde. Reena Spaulings Fine Art«, in: Frieze, May 2010
Anastas, Rhea, »Material Holes. On Josephine Pryde at Richard Telles Fine Art, Los Angeles«, in: Texte zur Kunst, Vol. 20, Nr. 77, p. 163 – 166
Kitnick, Alex, »In Fashion On Josephine Pryde«, in: May, N.4, 06/2010, p.156 - 161
Latimer, Quinn, Critic’s Picks: „Old Ideas“, artforum.com, February 5th, 2010

2009
Lehrer-Graiwer, Sarah, »Josephine Pryde. Richard Telles Gallerx«, Artforum.com: critics’ picks, accessed 25.11.2009
Pryde, Josephine »Best of 2009: The Artists’ Artists«, in Artforum, Jg. XLVIII, Nr. 4, December 2009, p. 94

2008
Freudenberger, Annette, »Von Zweien, die auszogen«, in: Texte zur Kunst, Nr. 69, March 2008, p. 219 – 221
Buchmeier, Barbara, Critics’ Picks: “Medien”, artforum.com, September 26, 2008
Rosenburg, Karen, Art Review: Layers to Comment on Layers of Imagery, New York Times, August 25, 2008

2007
Graw, Isabelle, »Josephine Pryde«, in: Artforum, Oktober 2007, S. 384/385
Stange, Raimar, »Josephine Pryde«, in: Modern Painters, September 2007, S. 100
Agostoni, Giorgio and Matt Williams, »›I mix them with my brains, Sir‹ A chatroom conversation with Josephine Pryde and Carmen Gheorghe«, in: Various Small Fires, hrsg. von Royal College of Art, London 2007

2006
Johnson, Ken, »Josephine Pryde«, in: The New York Times, 19.5.2006

2005
Widmann, Tania, Die Strenge Valerie, die fröhliche Valerie, Texte zur Kunst, Nr. 57, s. 189-191 ‘
Gronzka, Patricia, Besprechung Josephine Pryde, Kunstbulletin, ½
Khosla, Kiron, Joe’s Session, kunstaspekte.de, January 15, 2005
Pryde, Josephine, It’s beyond my control, Merlin Carpenter at Kunsthall Bergen, Texte zur Kunst Nr 58, s. 175-180
Pryde Josephine, It recites, Wenn sonst nichts klappt: Wiederholung wiederholen, Materialverlag und b_books/ polypen, pp 52-59

2004
Josephine Pryde, hrsg. Von Secession, Wien 2004
Hafner, Hans-Jürgen, Light and Shading: Bulloch und Pryde, www.artnet.de, December 13, 2004
di Blasi, Johanna: "The Harsh Charm of Motorradkette", Kölner Stadtanzeiger, no. 118, May 20, 2004, p. 33.
Archer, Michael, Josephine Pryde Cubitt Gallery, Artforum, May 2004
Bussel, David, Artforum picks: Josephine Pryde, www.artforum.com, March 2, 2004

2003
Graw, Isabelle, »Identifikation einer Henne«, in: Texte zur Kunst, Nr. 49, 2003
o.V., »You won’t find the answer staring out of the window«, Texte zur Kunst, Nr. 52, 2003

2002
Pethick, Emily, »Josephine Pryde and Barbara Hepworth«, in: artext, Sommer 2002

2001
»Blue Period« Sarah Staton Anti-paintings, hrsg. von Art Lab, London 2001
o.V., »Steven Meisel, Four Days in LA: The Versace Pictures«, in: Texte zur Kunst, Nr. 43, 2001
DIAL, Summer Issue, New School Online Unversity, The New School University, New York, HYPERLIN, "http://www.dialnsa.edu/magaz9.htm" www.dialnsa.edu/magaz9.htm
o.V., »Inside this Horizon«, in: Made in USA, No. 3, 2001
Kempkes, Anke, »Josephine Pryde: Serena«, in: Camera Austria, 75/2001
Meixner, Christiane, »Versuchsanordnungen«, in: Frankfurter Rundschau, 17.10.2001
Krebber, Michael, »Josephine, die Sängerin oder das Volk der Mäuse«, in: Texte zur Kunst, No. 42, 2001
Jasper, Martin, »Hemd und Haeschen im Kaleidoscop«, in: Braunschweiger Zeitung, 27.04.2001
Goetz, Karla, »Surrealistische Altersschwaeche«, in: Braunschweiger Zeitung, 27.4.2001
Video Interview mit Anna Gollwitzer für talk tv 05/2001, Braunschweig
Gregori, Daniela, »Josephine Pryde bei Gabriele Senn«, in: Frankfurter Allgemeine Zeitung, 3.2.2001
Probst, Ursula Maria, »Galerie Senn / Josephine Pryde«, siehe: artmagazine.com

2000
o.V., »10x10 Austellungen«, in: Texte zur Kunst, Nr. 40, 2000
Pryde, Josephine, »current/SEE by Michael Clarck Company«, in: Texte zur Kunst, Nr. 39, 2000
o.V., »Merlin Carpenter at Secession Vienna«, in: Modern Painters, Nr. 2, 2000
Backhaus, Catrin, »Eingefärbt und Eingekreist«, in: blitzreview, Nr. 588, 2000
Leeb, Susanna, »Selber Hey«, in: Texte zur Kunst, Nr. 38, 2000
Graw, Isabelle, »Lose Enden«, in: Texte zur Kunst, Nr. 38, 2000
Frangenberg, Frank, »Ausgestoßen, rotbraun«, in: Kölner Stadt Anzeiger, 7.4.2000
Merlin Carpenter at Secession, Vienna, Modern Painters Vol.13, No.2
In circulation, Sarah Morris, in Twisted, van Abbe Museum, Eindhoven
Pryde, Josephine, What Do You Want To Do With Your Spade?, Cosima von Bonin, The Cousins, Kunstverein Braunschweig
Morris, Sarah, »In circulation«, in: Twisted, hrsg. von Van Abbe Museum, Eindhoven 2000

1999
Audéoud, Fabienne, »Of a musical disposition«, in: Work and Leisure International, Manchester 1999
Staton, Sarah »Blue Jeans, London«, in: Texte zur Kunst, Nr. 36, 1999
o.V., »Jane & Louise Wilson at the Serpentine Gallery, London«, in: Texte zur Kunst, Nr. 36, 1999
o.V., »Key Debates«, in: Everything, 3.2.1999
o.V., »Shortcuts: Baustop.Randtstadt«, in: Texte zur Kunst, No. 32, 1999

1998
Katharina Wulff, hrsg. von Kunstverein Bremerhaven, Bremerhaven 1998
Spiegl, Andreas, Summary, Springerin Band IV, Heft 3

1997
Harms, Ingeborg, »Immer stark verschnürt und gefestigt«, in: Frankfurter Allgemeine Zeitung, 5.4.1997
o.V., »Discovering an Innate Sense«, in: Texte zur Kunst, Nr. 25, 1997
Römer, Stefan, »Josephine Pryde - Vicinage«, in: Kunstforum, Nr. 137, 1997
Hess, Barbara, »Josephine Pryde at Christian Nagel«, in: Flash Art, Sommer 1997

1996
Ackermann, Franz, »Josephine Pryde - Persuasion«, in: Texte zur Kunst, Nr. 21

1995
o.V., »Michael Krebber at Christian Nagel«, in: Texte zur Kunst, Nr. 19, 1995

1993
o.V., »Writing out of my armpit«, in: Texte zur Kunst, Nr. 11, 1993

1991
Cottingham, Laura, »Art and Thought«, in: New York Quarterly, 15.12.1991