Galerie Nagel Draxler

Kathryn Andrews


geboren / born 1973 in Mobile, Alabama
lebt und arbeitet / lives and works in Los Angeles


MFA, Art Center College of Design, Pasadena, California
BFA, Duke University, Durham, North Carolina


Tong Xian Art Center Residency, Beijing, China


David Kordansky Gallery, Los Angeles.

Art 42 Basel: Statements, David Kordansky Gallery, Basel.

“Frankie Goes to Bollywood”, Galerie Christian Nagel, Berlin.
“Cats and Dogs, Catalog”, The Los Angeles Central Library, Los Angeles.
Your Husband, Your Face Hole: Stephanie Taylor and Kathryn Andrews”, Galerie Christian Nagel, Cologne.

“Comfort Bucket: Christie Frields’ Open Studio”, 5679 York Boulevard, Los Angeles.

“Kathryn Andrews: MFA Thesis Exhibition”, Small Gallery, Art Center College of Design, Pasadena.


“Made in L.A. 2012″, organized by the Hammer Museum and LAXART, Hammer Museum, Los Angeles.
“Kathryn Andrews, Darren Bader, Karl Haendel”, United Artists, Ltd., Marfa.
“First Among Equals”, ICA: Institute of Contemporary Art, University of Pennsylvania, Philadelphia.
“Candor: In honor of Mike Kelley”, Long Beach City College Art Gallery, Long Beach.

“American Exuberance”, Rubell Family Collection, Miami.
Contemporary Art Space, de la Cruz Collecton, Miami.
“No Color In Your Cheeks Unless The Wind Lashes Your Face”, curated by Timothée Chaillou,
“Seven Los Angeles Artists”, curated by Scott Benzel, The Fellows of Contemporary Art, Los Angeles.
“Grandmother Bodhisattva”, Galerie Seiler, München.
“Gaylen Gerber”, Renwick Gallery, New York.
“Modify, As Needed”, MOCA, North Miami.
“George Herms: Xenophilia (Love of the Unknown”, MOCA, Los Angeles.
“On Forgery: Is One Thing Better Than Another?”, LAXART, Los Angeles.
“Greater L.A.”, curated by Benjamin Godsill, Eleanor Cayre and Joel Mesler, New York.
“Offset Summary”, Rachel Uffner Gallery, New York.

“How Soon Now”, Rubell Family Collection, Miami.
“Session_7_Words”, Four Boxes Gallery, Skive.
“Best of Invites”, Wonderland-Kellerloch, Berlin, Germany
“Transzendenz Inc.”, curated by Heike Kelter and René Luckhart, Autocenter, Berlin.
“Real Summer”, Galeria Zero, Mailand.
“Support Group: Kathryn Andrews Gaylen Gerber, Mateo Tannatt/Pauline”, curated by Michael Ned Holte, Tom Solomon Gallery at Cottage Home, Los Angeles.
“Mostly Sculpture Show”, curated by Alice Clements, Sea and Space Gallery, Los Angeles.
“Kathryn Andrews, Heather Cook, Lesley Vance, Lisa Williamson”, David Kordansky Gallery, Los Angeles.

“Session_7_Words”, Am Nuden Da, London.
Galerie Christian Nagel at Temporary Gallery Vienna, Galerie Kunstbüro, Wien.
“Bitch is the New Black”, curated by Emma Gray, Honor Fraser Gallery, Los Angeles.
“Float Like a Butterfly, Sting Like a Bee”, curated by Yunhee Min, Artist Curated Projects, Los Angeles,
“Video Journeys”, Sister Gallery at Cottage Home, Los Angeles.
“The May Show”, 5200 Block of Olympic Boulevard, curated by Chris Lipomi.
“3616 West Washington Blvd.”, curated by Ben Pruskin, 3616 West Washington Boulevard, Los Angeles.
“Boofthle Booth-Booth:Deux Doox-Hollywood Biennial”, curated by Mateo Tannatt, Pauline Gallery, Los Angeles.

“Group Show with André Butzer”, 1711 North Spring Street, Los Angeles.
“There is No There There”, Rivington Arms, New York, curated by Ben Provo.
“Betwixt and Between”, ACME Gallery, Los Angeles.
“Circle Jerks”,”Monte Vista Projects, Los Angeles.

Abstraction”, Michael Kohn Gallery, Los Angeles, curated by Nancy Meyer.
“Hug Fu”, Dan Hug Gallery, Los Angeles.
“Mongrel”, 16:1 Gallery, Santa Monica.
“Cock”, Courtyard Gallery Project, Beijing.
“Modern Lovers”, Glendale College Art Gallery, Glendale, California.
“Paper Bombs”, curated by Bart Exposito, Jack Hanley Gallery, Los Angeles.
“W.O.P.”, curated by Christina Valentine, The Brewery Project, Los Angeles.

Chain Letter”, High Energy Constructs, Los Angeles.
“Summer Suite”, Glendale College Art Gallery, Glendale, California.
“Many, Many Guys and Girls, All Real Beauties”, curated by Julian Hoeber, Circus of Books, Los Angeles.
“Delusionarium III”, curated by Jesse Benson, California State University at Fullerton, Grand Central Art Center, Santa Ana.

“The Meeting”, Eagle Rock Center for the Arts, Los Angeles, curated by Mindy Shapero.
“The February Show”, curated by Chris Lipomi, 1103 La Brea, Los Angeles.

“Four Color Pen Show”, General Store at Locust Projects, Miami, traveled to Van Harrison Gallery, Chicago.

“Free Roaming”, curated by Charles Long, 4F Gallery, Los Angeles.


“The Ball of Artists”, organized by LAXART, Greystone Manor, Beverly Hills.

“Creative Visualization Works Only For Good (for Karl Erickson)”, Sea and Space Gallery, Los Angeles.

“Liquors and Baldassari with the Occasional Presence of Influence”, in conjunction with A Live Reading/Performance of the Texts of Lawrence Weiner, Beyond Baroque Literary Arts Center, Los Angeles.


“Mongrel”,16:1 Gallery, Santa Monica.
“Modern Lovers”, Glendale Community College Art Gallery, Glendale.

“The Meeting, Part II”, co-curated with Chris Nichols, Evelyn Serrano, Eagle Rock Center for the Arts, Los Angeles.

“Paperworks,” Big Gallery, Art Center College of Design, Pasadena.


Mongrel, 16:1 Gallery, Santa Monica, CA
Modern Lovers, Glendale Community College Art Gallery, Glendale, CA

The Meeting, Part II, Eagle Rock Center for the Arts, Los Angeles, CA, co-curated with Chris Nichols and Evelyn Serrano


“On the Limits of Exuberance: Return to Sender / Toward a Collective Author / Starts and Stoppages Not Standard, Becoming Standard, Already Standard”, American Exuberance. Miami: Rubell Family Collection, 2011, S. 10-15.
“Between the Lines”, Volume 3, New York: RxArt, 2010.

Cooperation with Gaylen Gerber, Trixie, September 2010, Double-sided insert between S. 28-29.

“Artists on Artists: Chris Lipomi,” Bomb Magazine, Fall Issue.
“Interview with Stephanie Taylor,” Co-conducted with Michael Ned Holte, Area Sneaks Magazine, Issue 1.


Holte, Michael Ned: “Slight of Hand”, Kaleidoscope, Issue 10, Spring 2011, S. 58-65.

“Kathryn Andrews,”The Buzz and the Beat: Inside the L.A. Art World”, edited by Richard Hertz, First Minneola Press, Ojai.

“Conversations…with Kathryn Andrews”, New York Foundation for the Arts Current Magazine, January 9.


"United Artists exhibit features work of Andrews, Badder, Haendel," Big Bend Now, March 22, 2012
Finkel, Jori, "Hammer announces $100,000 prize for new biennial; 60 artists chosen," Los Angeles Times, March 14, 2012
Tschida, Anne, "Contemporary vision, de la Cruz-style," The Miami Herald, February 26, 2012
Pastan, Rachel, "Out of Hollywood: Bennett Simpson on William Leavitt and Kathryn Andrews on Herself,", February 10, 2012
Lehrer-Graiwer, Sarah, and Jeff Hassay, "Ball of Confusion,", February 5, 2012
Brobeck, Catherine, "Ball of Artists Celebrates the Closing of the Pacific Standard Time Performance and Public Art Festival,", February 1, 2012
"Artists clown around in LA mansion,", January 31, 2012
Tschorn, Adam, "Fantastical art and fashion abound at LAXART Ball," Los Angeles Times, January 30, 2012
Bronner, Sasha, "Ball of Artists: Los Angeles Flocks to Greystone Mansion for LAXART´s Eye-Popping Gala,", January 30, 2012

"American Exuberance", Miami: Rubell Family Collection.
Nowikovsky, Jacqueline: "Kunstvoll Schenken: Die Kunst zu schenken oder: Wie man Kunst schenkt", Die Presse Schaufenster, 20. Dezember 2011.
Montreuil, Gregory: "Reviews: Gaylen Gerber: Renwick - New York", Flash Art, Nummer 281, November-December 2011, S. 98.
Harper, Dave: "The Other Art Basel", Art Agenda, 1.-4. Dezember, 2011
"Art Basel - Miami, Inspiration for an Artistic Celebration,", 1. Dezember 2011.
Alvarez, Lizette, und Jordan Melnick: "Miami, City of Sun And Beaches, Is Now About Art", The New York Times, 30. November 2011, S. C1.
Sjostrom, Jan: "Private collector spaces a good bet during Art Basel Miami Beach",, 29. November 2011.
Fernandez, Barbara P.: "Miami´s Still-Maturing Art Scene", The New York Times, 30. November 2011.
Suarez De Jesus, Carlos: "Rubell Collection´s ´American Exuberance´ Explores U.S. Society Through 64 Artists",, 15. November 2011.
"Matthew Day Jackson and R.H. Quaytman are Big Draws in this Year´s RxArt Coloring Book",, 15. November 2011.
Griffin, Jonathan: "George Herms: Xenophilia: Museum of Contemporary Art at the Pacific Design Center, Los Angeles", Frieze, Issue 142, October 2011, S. 254.
Moret, A.: "Los Angeles: George Herms: ´Xenophilia (Love of the Unknown)´ at MOCA Pacific Design Center", art ltd, September / October 2011, S. 35.
"´Modify as Needed", at the Museum of Contemporary Art, North Miami,, 25. September 2011.
Suarez De Jesus, Carlos: "´Modify, As Needed,´ a new exhibit at MOCA, showcases artists who use found materials",, 22. September 2011.
"This Weekend: Structural Scatter",, 22. September 2011.
Duvernoy, Sophie: "George Herms, Beat Artist, on His New MOCA Show ´Xenophilia´",, 11. Juli 2011.
"Museum of Contemporary Art, Los Angeles Presents George Herms: Xenophilia",, 10. Juli 2011.
Art|42|Basel Catalog, Ostfildern: Hatje Cantz Verlag, 2011
Velasco, David: "Plug ´n´ Play,", 18. Juni 2011.
Latimer, Quinn: "Art Basel,", 17. Juni 2011.
"Art 41 Basel Announces Art Statements: Spotlighting Solo Shows by Emerging Artists,", 13. Juni 2011.
Douglas, Sarah: "The Grand Tour: Art Basel," Art+Auction, Juni 2011, S. 87
Hastreiter, Kim: "A Week in Culture: Kim Hastreiter, Editor," The Paris Review, April 6, 2011
Berardini, Andrew: "Party Favors: The Work of Kathryn Andrews," Mousse, Issue 28, April 2011, S. 130-136.
Nadel, Dan, Uffner, Rachel: "Kathryn Andrews," Paper Magazine, Spring 2011, S. 62-63
Barliant, Claire: "Offset Summary," The New Yorker, 7. Februar 2011.

"How Soon Now", edited by Juan Roselione-Valadex. Miami: Rubell Family Collection, 2010.
"Transzendenz, Inc.", Berlin: Autocenter, 2010.
Yablonsky, Linda: "Scene and Herd: Intimate Strangers", Diary, 5. Dezember 2010.
Carfello, Anthony, "Support Group: Kathryn Andrews, Gaylen Gerber, Mateo Tannatt/Pauline", X-Tra Magazine, Volume 13, Number 2, Winter 2010, S. 53-60..
Griffin, Jonathan, "Support Group,", 30. Juli 2010.
Wagley, Catherine, "Support Group,", 10. Juni 2010.
Moshayedi, Aram, "Support Group,", Juni 2010.
Shaw, Michael: "Continuous and Recommended Exhibition," ArtScene, Vol. 29, No.7, März 2010.
Miles, Christopher: "Kathryn Andrews, Heather Cook, Lesley Vance, Lisa Williamson at David Kordansky Gallery," LA Weekly, 18. Februar 2010.

Lewis, David: "´Words´ at Am Nuden Da",, Dezember 2009.
Hafner, Hans-Jürgen: "Junk Store Dream Factory," Artnet, 29. November 2009.
Miles, Christopher: "Bitch is the Black’ at Honor Fraser", LA Weekly, 6. August 2009.
Myers, Holly: "Attitude and Talent to Spare", Los Angeles Times, 21. August 2009.
Myers, Holly: "´Video Journeys´ at Sister Gallery at Cottage Home", Los Angeles Times, 19. Juni 2009.
Holte, Michael Ned: "Boothle Booth-Booth: Deux Doox - The Hollywood Biennale", Artforum, April 2009.
Kushner, Rachel: "The Next Blue Chips," C Magazine, März 2009.

Holte, Michael Ned: "Top Ten," Artforum, Dezember 2008.
Latimer, Quinn: "There Is No There There," Modern Painters, October 2008.
Berardini, Andrew: "Sketches: Notes from the Underground", LA City Beat, September 18.
Ward, Rachel K.: "Retro-Glorified: History Today in New York," ArtReview.Com, August 2008.

Holte, Michael Ned: "Mongrel", Artforum, November 2007.
Pagel, David: "No Distinguishing Traits on Display", Los Angeles Times, August 2007.

"Scene and Herd," Diary, 30. Juli 2006.